Rethinking the Music Business:
Music Contexts, Rights, Data and COVID-19
Call for chapters for an edited volume to be submitted to Springer’s Music Business Research Series
Guy Morrow (University of Melbourne)
Daniel Nordgård (University of Agder)
Peter Tschmuck (University of Music and Performing Arts, Vienna)
COVID-19 had, and is having, a global impact on health, communities and the economy. As a result of COVID-19, music festivals, gigs and events were cancelled or postponed across the world. This directly affected the incomes and practices of many artists and the revenue for many entities in the music business. Despite this crisis however, there are pre-existing trends in the music business – the rise of the streaming economy, technological change (virtual and augmented reality, blockchain etc.), new copyright legislation etc. Some of these trends were impacted by the COVID-19 crisis while others were not.
Dear IASPM Members:
We want to encourage everyone to register as a peer reviewer of IASPM Journal on our website.
If you have already registered but have not filled in keywords for areas of interest, please do so now, as this is our only way to effectively search your research interests and expertise on our website. The more keywords the better.
here’s the link to the (for now) open-access special issue: https://online.ucpress.edu/jpms/issue/32/2
Uncharted Country: New Voices and Perspectives in Country Music Studies (TOC below)
Journal of Sound, Silence, Image and Technology (JoSSIT)
Monograph: Music, Sound and Silence in Videogames
Issue editor: Lidia López Gómez
Number: 3 (December 2020)
Deadline for full articles: 1st October 2020
Issue date: 22nd December 2020
The scientific publication the Journal of Sound, Silence, Image and Technology (JoSSIT) grew out of the research group of the same name (SSIT), which is linked to the TecnoCampus university centres, affiliated with Pompeu Fabra University (UPF). The journal seeks to bring together academic debate and scientific research on the relationship between sound as a broad concept and an audiovisual context.
How is Covid-19 changing musical instrument practice? At the University of Sussex we are running a survey exploring this question and we would be delighted if you would consider filling it out. We interpret the word ‘instrument’ broadly and take it to include the voice and music software, for example.
We are interested in everyone’s reply, no matter what background, education, practice, genre or style. Amateurs and new musicians are especially welcome, so please feel free to share with your friends, family and networks.
Filling out the survey will take between 15-30 minutes of your time, and it hopefully invites you to reflect upon the meaning of music in your life:
Thor Magnusson and Mimi Haddon
University of Sussex, Brighton, United Kingdom
Heavy Metal Music and Dis/Ability seeks authors to join this edited volume of essays.
While many metal scholars have discussed people with disabilities and their lives in/with heavy metal music informally, or as part of panel discussions, little is in publication about music and people with disabilities, let alone metalheads and disability. Studies on disability and popular music exist, but do not include the very corporeal genre that is heavy metal music.
For this collection, the editor seeks authors who engage deeply and uniquely with questions of ability, heavy metal music, and the body. In addition, this collection seeks to bridge the gap between heavy metal scholars and heavy metal practitioners, so essays, photo essays, and op-ed pieces from performers, crew members, venue staff, and so on are welcome.
Seeking Collaborative Projects: Studies in Musical Theatre
Hi, musical theatre scholars and practitioners,
You might know us already, but in case you don’t, we are Jess Sternfeld (Chapman University) and Liz Wollman (Baruch College, CUNY). We’ll become co-editors of Studies in Musical Theatre when founding editors George Burrows and Dominic Symonds step down in 2021 after a truly epic 15 years of service. The four of us have been working toward a seamless transition as we build new editorial and advisory boards and explore new directions for the journal. We two have big shoes to fill, but we can’t wait to serve our beloved field as SiMT co-editors.
As we prepare, we’ve been thinking a lot about how important collaboration is to our field, especially right now. The entertainments we study rely on it, of course, but then, so does our discipline; connections and conversations with fellow scholars have helped many of us weather, process, and rise to the challenges of the crises we’re living through. Our field is so extraordinarily interdisciplinary that it couldn’t have developed without reaching across borders and academic areas. It’s fitting that SiMT has always been co-edited; just as a show can’t go on without group effort, editorial partnerships can foster collaboration, mentorship, and varied perspectives and approaches.
2pm Thursday 11 June, Youtube Live @ shorturl.at/cwFMT
Thursday 11 June will see people from the music industry and academics from around the world, come together online to explore the question ‘What is the Future of Live Music?’. Clearly a hugely topical subject, particularly since the abrupt halt on public gatherings last March due to Covid-19.
The online event will start at 2pm on Youtube live, and include seminal musicians Peter Hook of Joy Division and New Order fame and 808 State co-founder Graham Massey, Liam Ogburn from the hotly tipped band ‘Working Mens Club’, leading venue and festival operator Aaron Mellor, Teresa Moore from a Greener Festival to be chaired by Tony Rigg.
The occasion marks the launch of a new book called ‘The Future of Live Music’ published by Bloomsbury, co-edited by UCLan’s Tony Rigg, Ewa Mazierska and Les Gillon. The book explores many of the dimensions of live music and features an international cast of contributions who will be discussing their chapters at the event.
The team at Sonic Scope journal hope you are all well and safe. Due to the COVID-19 situation, we have extended the submissions deadline for both full submissions and our call and response section.
The submission deadline for our first issue is now
1st June 2020
Dear IASPM members,
We are pleased to announce the publication of the special issue of Transposition “Sound, Music and Violence” https://doi.org/10.4000/transposition.3213