cfp: “New Approaches to Music and Sound,” Journal of the Gilded Age and the Progressive Era (special issue)

New Approaches to Music and Sound
Guest Editors: David Suisman and Rebecca Tinio McKenna

If new book series and journal special issues are any indication, over the last decade, there has been a surge of interest in the musical and sonic worlds of the past. Scholars of music, sound studies, disability studies, transnational and postcolonial studies, cultural history, history of the senses, and others have been expanding our historical understanding of soundscapes, music cultures, aurality, acoustics, and other aspects of the work sound does in the world. New scholarship is connecting music and sound with politics and social movements, capitalism and commerce, the formation of racial, gender, and class identity and difference, the history of technology and of natural environments, and more.

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cfp: Musical Biopics and Musical Documentaries from the Scandinavian countries

Call for contributions to a Journal of Scandinavian Cinema In Focus section highlighting Musical Biopics and Musical Documentaries from the Scandinavian countries 

This is a call for short subject contributions (2000-3000 words) focusing on how Scandinavian film and television have presented musicians, singers, bands and orchestras in biopics and documentaries. We welcome submissions that – after a quick theoretical introduction and concise contextual background – offer discussions of topics such as: 

  • the film’s role within cultural memory – usually restricted to a single national market and often catering to a certain age group’s intragenerational memories 
  • the handling of generic conventions; from narration and characterization to the selection of music, casting choices and staging of performances  
  • the function of music in specific films and film genres 
  • marketing and authentification discourses, including media coverage of stars and their work with particular roles and performances, as well as screenwriters’ and directors’ use of biographies, interviews, original footage and recordings 
  • national and international reception of such films  
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Narrating Popular Music History of the GDR: A Critical Reflection of Approaches, Sources and Methods

Editors: Beate Peter (Manchester Metropolitan University, UK) and Michael Rauhut (University of Agder, Norway)

Submissions are invited for a special edition of Popular Music History that aims to assess the sources, approaches and methods with which East German popular music is written.

Background

Histories of German popular music generally focus on examples of West German music which were commercially successful and/or are considered to be aesthetically and musically ground-breaking. Bands such as Kraftwerk, Can, Neu! or the Scorpions are the subject of many academic as well as non-academic publications, and they are considered as canonical as genres such as Krautrock or Neue Deutsche Welle. East German musicians or movements, on the other hand, tend to be overlooked, as do specific artistic forms of expression which were developed in response to authoritarian leadership in the socialist German Democratic Republic (GDR). The examination of a relationship between the GDR and the arts is almost altogether absent from a pan-German popular music history.

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cfp: Rethinking the Music Business: Music Contexts, Rights, Data and COVID-19

Rethinking the Music Business: 

Music Contexts, Rights, Data and COVID-19 

Call for chapters for an edited volume to be submitted to Springer’s Music Business Research Series  


Editors
Guy Morrow (University of Melbourne)
Daniel Nordgård (University of Agder)
Peter Tschmuck (University of Music and Performing Arts, Vienna)  

COVID-19 had, and is having, a global impact on health, communities and the economy. As a result of COVID-19, music festivals, gigs and events were cancelled or postponed across the world. This directly affected the incomes and practices of many artists and the revenue for many entities in the music business. Despite this crisis however, there are pre-existing trends in the music business – the rise of the streaming economy, technological change (virtual and augmented reality, blockchain etc.), new copyright legislation etc. Some of these trends were impacted by the COVID-19 crisis while others were not. 

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Register as a peer reviewer (IASPM Journal)

Dear IASPM Members:

We want to encourage everyone to register as a peer reviewer of IASPM Journal on our website.

https://iaspmjournal.net/index.php/index/login

If you have already registered but have not filled in keywords for areas of interest, please do so now, as this is our only way to effectively search your research interests and expertise on our website. The more keywords the better. 

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cfp: Journal of Sound, Silence, Image and Technology

Journal of Sound, Silence, Image and Technology (JoSSIT)

Monograph: Music, Sound and Silence in Videogames

Issue editor: Lidia López Gómez

Number: 3 (December 2020)

Deadline for full articles: 1st October 2020

Issue date: 22nd December 2020

The scientific publication the Journal of Sound, Silence, Image and Technology (JoSSIT) grew out of the research group of the same name (SSIT), which is linked to the TecnoCampus university centres, affiliated with Pompeu Fabra University (UPF). The journal seeks to bring together academic debate and scientific research on the relationship between sound as a broad concept and an audiovisual context.

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Survey on musical practice during Covid-19

Dear colleagues,

How is Covid-19 changing musical instrument practice? At the University of Sussex we are running a survey exploring this question and we would be delighted if you would consider filling it out. We interpret the word ‘instrument’ broadly and take it to include the voice and music software, for example.

We are interested in everyone’s reply, no matter what background, education, practice, genre or style. Amateurs and new musicians are especially welcome, so please feel free to share with your friends, family and networks.

Filling out the survey will take between 15-30 minutes of your time, and it hopefully invites you to reflect upon the meaning of music in your life:

https://forms.gle/DXZUePc5kQUZ4kEa8

Best wishes,

Thor Magnusson and Mimi Haddon
University of Sussex, Brighton, United Kingdom

Heavy Metal Music and Dis/Ability: Crips, Crowds, and Cacophony

Heavy Metal Music and Dis/Ability​ seeks authors to join this edited volume of essays.

While many metal scholars have discussed people with disabilities and their lives in/with heavy metal music informally, or as part of panel discussions, little is in publication about music and people with disabilities, let alone metalheads and disability. Studies on disability and popular music exist, but do not include the very corporeal genre that is heavy metal music.

For this collection, the editor seeks authors who engage deeply and uniquely with questions of ability, heavy metal music, and the body. In addition, this collection seeks to bridge the gap between heavy metal scholars and heavy metal practitioners, so essays, photo essays, and op-ed pieces from performers, crew members, venue staff, and so on are welcome.

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Call for collaborative pieces — Studies in Musical Theatre

Seeking Collaborative Projects: Studies in Musical Theatre

Hi, musical theatre scholars and practitioners,

You might know us already, but in case you don’t, we are Jess Sternfeld (Chapman University) and Liz Wollman (Baruch College, CUNY). We’ll become co-editors of Studies in Musical Theatre when founding editors George Burrows and Dominic Symonds step down in 2021 after a truly epic 15 years of service. The four of us have been working toward a seamless transition as we build new editorial and advisory boards and explore new directions for the journal. We two have big shoes to fill, but we can’t wait to serve our beloved field as SiMT co-editors.

As we prepare, we’ve been thinking a lot about how important collaboration is to our field, especially right now. The entertainments we study rely on it, of course, but then, so does our discipline; connections and conversations with fellow scholars have helped many of us weather, process, and rise to the challenges of the crises we’re living through. Our field is so extraordinarily interdisciplinary that it couldn’t have developed without reaching across borders and academic areas. It’s fitting that SiMT has always been co-edited; just as a show can’t go on without group effort, editorial partnerships can foster collaboration, mentorship, and varied perspectives and approaches.

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