Category Archives: Studying popular music

cfp: Journal of Sound, Silence, Image and Technology

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Journal of Sound, Silence, Image and Technology (JoSSIT)

Monograph: Music, Sound and Silence in Videogames

Issue editor: Lidia López Gómez

Number: 3 (December 2020)

Deadline for full articles: 1st October 2020

Issue date: 22nd December 2020

The scientific publication the Journal of Sound, Silence, Image and Technology (JoSSIT) grew out of the research group of the same name (SSIT), which is linked to the TecnoCampus university centres, affiliated with Pompeu Fabra University (UPF). The journal seeks to bring together academic debate and scientific research on the relationship between sound as a broad concept and an audiovisual context.

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Survey on musical practice during Covid-19

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Dear colleagues,

How is Covid-19 changing musical instrument practice? At the University of Sussex we are running a survey exploring this question and we would be delighted if you would consider filling it out. We interpret the word ‘instrument’ broadly and take it to include the voice and music software, for example.

We are interested in everyone’s reply, no matter what background, education, practice, genre or style. Amateurs and new musicians are especially welcome, so please feel free to share with your friends, family and networks.

Filling out the survey will take between 15-30 minutes of your time, and it hopefully invites you to reflect upon the meaning of music in your life:

https://forms.gle/DXZUePc5kQUZ4kEa8

Best wishes,

Thor Magnusson and Mimi Haddon
University of Sussex, Brighton, United Kingdom

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cfp: The U2 Conference

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The U2 Conference
http://u2conference.com/  

Heartland: U2’s Looking For American Soul
An International Virtual U2 Conference For Scholars And Fans
October 18 – 24, 2020

U2 has journeyed – at times uneasily – through an America of pulsating metropolis, rugged heartland and shining sea. It long ago fell under the spell of America, but for just as long has felt it still hasn’t found America.

When U2 talks about America, it often describes it in terms of an idea, a dream or an experiment rather than a physical reality. Bono sings in “American Soul” (ft. Kendrick Lamar) on Songs of Experience: “It’s not a place / This country is to me a sound / Of drum and bass. … It’s not a place / This country is to me a thought / That offers grace / For every welcome that is sought.”

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Heavy Metal Music and Dis/Ability: Crips, Crowds, and Cacophony

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Heavy Metal Music and Dis/Ability​ seeks authors to join this edited volume of essays.

While many metal scholars have discussed people with disabilities and their lives in/with heavy metal music informally, or as part of panel discussions, little is in publication about music and people with disabilities, let alone metalheads and disability. Studies on disability and popular music exist, but do not include the very corporeal genre that is heavy metal music.

For this collection, the editor seeks authors who engage deeply and uniquely with questions of ability, heavy metal music, and the body. In addition, this collection seeks to bridge the gap between heavy metal scholars and heavy metal practitioners, so essays, photo essays, and op-ed pieces from performers, crew members, venue staff, and so on are welcome.

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Call for collaborative pieces — Studies in Musical Theatre

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Seeking Collaborative Projects: Studies in Musical Theatre

Hi, musical theatre scholars and practitioners,

You might know us already, but in case you don’t, we are Jess Sternfeld (Chapman University) and Liz Wollman (Baruch College, CUNY). We’ll become co-editors of Studies in Musical Theatre when founding editors George Burrows and Dominic Symonds step down in 2021 after a truly epic 15 years of service. The four of us have been working toward a seamless transition as we build new editorial and advisory boards and explore new directions for the journal. We two have big shoes to fill, but we can’t wait to serve our beloved field as SiMT co-editors.

As we prepare, we’ve been thinking a lot about how important collaboration is to our field, especially right now. The entertainments we study rely on it, of course, but then, so does our discipline; connections and conversations with fellow scholars have helped many of us weather, process, and rise to the challenges of the crises we’re living through. Our field is so extraordinarily interdisciplinary that it couldn’t have developed without reaching across borders and academic areas. It’s fitting that SiMT has always been co-edited; just as a show can’t go on without group effort, editorial partnerships can foster collaboration, mentorship, and varied perspectives and approaches.

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IASPM 2021 (Daegu, South Korea, July 6-10, 2021) update

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Greetings!

The Local Organizing Committee is pleased to invite you to the 21st Biennial Conference of the International Association for the Study of Popular Music to be held in Daegu, South Korea, for 5 days from July 6 to 10, 2021. Here are some latest updates on the conference.

1) Thanks to popular demands, we decided to extend deadline for abstract submission for one month until 31 August 2020. The submission can be made through the IASPM 2021 website (http://iaspm2021.org/index.php?gt=abs/abs01)

* Abstract Submission: until August 31, 2020 (Korea time GMT+8)

2) The IASPM 2021 registration fee has been set. We will deliver you with the registration guide when the payment system is completed.

3) We are delighted to introduce you Keynote Speakers for IASPM 2021:

– Britta Sweers (Director of the Center for Global Studies at the University of Bern, Switzerland)

– Shuhei Hosokawa (Professor Emeritus at the International Research Center for Japanese Studies)

– Chan E. Park (Professor, Ohio State University, United States)

– Jung-Sun Lee (Singer-songwriter, Guitarist, and former professor of Seoul Arts University, Korea)

4) IASPM 2021will proceed as announced in spite of the uncertainty caused by COVID-19

Despite the on-going worldwide crisis of COVID-19, the local organizing committee is working hard to make IASPM 2021 in Daegu happen. Depending on the situation in 2021, the conference could take the form of real, virtual, or hybrid. We are preparing for every possible scenario to ensure IASPM 2021 to be a successful conference. IASPM 2021 will be greatly benefitted from host city Daegu’s world-class capacity for COVID-19 control. In close cooperation with Daegu Metropolitan City, we will make sure a safe and sound conference experience for all participants. Thank you!

For further details, please visit IASPM 2021 website at http://iaspm2021.org/index.php.

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Call for applications: Electronic Music Journalism

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Berlin-based electronic music magazine GROOVE is teaming up with Goethe-Institute for a digital workshop programme on international electronic music journalism organized by Kristoffer Cornils and Laura Aha. We are inviting young journalists from all over the world and specifically from the so-called Global South to apply for the programme with the aim of developing a written, in-depth feature on their respective local scene. Applications are now open until August 3rd. 

The two-week seminar block will take place online from the 17th to the 28th of August and is open for the general public. Once the seminars are concluded, the ten selected participants will take action on their own: in coordination with the editors of GROOVE, they will write an article focusing on the regional specifics of electronic music in their own countries, in their native language and with a respective English translation. Besides the opportunity of having their piece published in both languages by GROOVE in November this year, the participation in the workshop programme and the article will be compensated by the Goethe-Institut with a one-time payment of € 500 per participant.

Find the whole announcement here:

https://groove.de/2020/06/29/global-groove-electronic-music-journalism/

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Call for Chapters: The Best Side of Capitalism? The Life, Death, and Afterlife of the Record Store

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This book explores, from a variety of perspectives and methodologies, how record stores became such important locales. As an agora, a community center, and a busy critical forum for taste, culture, and politics, the record store prefigured social media. Once conduits to new music, frequently bypassing the corporate music industry in ways now done more easily via the Internet, independent record stores (in direct opposition to rock radio programmed by corporate interests), championed the most local of economic enterprises, allowing social mobility to well up from them in unexpected ways. In this way, record stores speak volumes about our relationship to shopping, capitalism, and art. The editors of this volume believe that record stores are spaces rife for examination because their cultural history is in some ways the story of the best side of capitalism seen in microcosm. To that end, this book employs three motifs: cultural history, urban geography, and auto-ethnography to find out what individual record stores meant to individual people, but also what they meant to communities, to musical genres, and to society in general. What was their role in shaping social practices, aesthetic tastes, and even, loosely put, ideologies? This book will collect stories and memories, and facts about a variety of local stores that will not only re-center the record store as a marketplace of ideas, but also explore and celebrate a neglected personal history of many lives.

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Call for Chapters – “Melodies and Maladies: Musical Responses to Plagues and Pandemics”

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Editors Dr. Brent Keogh and Prof. Phil Hayward

Equinox Publishing

Chapter proposals are invited for a collected edition on the theme of musical responses to plagues and pandemics. This book will chart a historical trajectory of musical responses to plagues and pandemics, providing a critical historical perspective on the lived experiences in the present. By focusing on major plagues, outbreaks, and pandemics, such as the Black Death, the Spanish flu, SARS, and Zika virus, we aim to historically contextualise musical responses to such disasters. In addition to charting historical contexts, this collection will address ways in which musicians have harnessed digital technologies to create forms of patronage, connect with fans, rehearse with band members, and network with peers and industry. The volume will also discuss musical responses in terms of the intersections of class and race, where social distancing is virtually impossible for some classes of people due to their specific living conditions, or where the prevailing Government policy is to “let it rip”, to allow a virus to sweep through the population for reasons of “herd immunity”, economic stability, or an under-resourced medical system. This edition will provide a timely work that not only accounts for the exceptional times we are living in, but sheds light on this time by thinking historically through musical responses to plagues and pandemics and suggesting manners in which future ones may be navigated by cultural producers and audiences.

Proposals due 31 July 2020

Chapter submissions of 4,500-7,000 words due 25 January 2021

Contact: brent.keogh@uts.edu.au, philip.hayward@uts.edu.au

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The Future of Live Music; Round Table Discussion and Book Launch Event

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2pm Thursday 11 June, Youtube Live @ shorturl.at/cwFMT

Thursday 11 June will see people from the music industry and academics from around the world, come together online to explore the question ‘What is the Future of Live Music?’.  Clearly a hugely topical subject, particularly since the abrupt halt on public gatherings last March due to Covid-19. 

The online event will start at 2pm on Youtube live, and include seminal musicians Peter Hook of Joy Division and New Order fame and 808 State co-founder Graham Massey, Liam Ogburn from the hotly tipped band ‘Working Mens Club’, leading venue and festival operator Aaron Mellor, Teresa Moore from a Greener Festival to be chaired by Tony Rigg.  

The occasion marks the launch of a new book called ‘The Future of Live Music’ published by Bloomsbury, co-edited by UCLan’s Tony Rigg, Ewa Mazierska and Les Gillon.  The book explores many of the dimensions of live music and features an international cast of contributions who will be discussing their chapters at the event.

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