Voice/Presence/Absence

Call for papers
Voice/Presence/Absence
An Interdisciplinary Conference on Voice and the Arts
Creative Practice and Cultural Economy Research Group
University of Technology, Sydney
14-15 February 2013

Voice/Presence/Absence is an interdisciplinary conference organised under the auspices of the Creative Practice and Cultural Economy Research Group of the University of Technology, Sydney, with the goal of exploring new approaches to the study of voice in the context of arts and humanities, performing practices and new media. Continue reading

Chinese Rock Music Scene

Author talk
Red Rock: The Long, Strange March of Chinese Rock & Roll
Jonathan Campbell
Asia Bookroom, Canberra, Australia 6pm Tuesday 23 October

Rebellious, individualistic, and explosive, rock and roll seems incongruent with modern Chinese society. Beginning from 1986, the music has evolved from a Western import into something uniquely Chinese, reshaped by the nation’s unique system and its relationship with the outside world. After a decade-long immersion in the Chinese rock and roll (yaogun) scene as a performer, writer, manager, promoter and more, Jonathan Campbell wrote Red Rock – The Long, Strange March of Chinese Rock & Roll as an attempt to give a comprehensive overview of the Chinese rock identity. What has yaogun taught him, and what can it teach the world – about China, and about rock and roll? Author Jonathan Campbell will look back on his China time as well as shed light on yaogun’s path and its future. Continue reading

People’s Palace: Culture and Controversy in Music Hall and Vaudeville

Call for papers
People’s Palace: Culture and Controversy in Music Hall and Vaudeville
11 May 2013
Hoxton Hall, London

A unique conference experience, held at Hoxton Music Hall, and organized by King’s College, London and the University of Liverpool. This one-day conference will explore the history of one of the most exciting, subversive and controversial forms of theatre born in the 19th century. Continue reading

New Elizabethans 1953-2013‏

Call for papers
New Elizabethans 1953-2013: Nation, Culture, and Modern Identity
13-15 June 2013
Senate House, London

Papers are invited for a major international, interdisciplinary conference to be held at Senate House, London, June 13-15 2013. Coinciding with the 60-year anniversary of the Coronation, this conference will explore the ways in which the ideal of a new (or second) Elizabethan age has been variously defined, promoted, and challenged in Britain and the Commonwealth. Following closely after the London Olympics and Jubilee celebrations, it will also offer a fitting opportunity to explore the ways in which these values continue to present themselves in contemporary definitions of national identity, culture, and character. Continue reading

Music, Gender & Difference

Call for papers
Music, Gender & Difference: Intersectional and postcolonial perspectives on musical fields
10-12 October 2013
University of Music and Performing Arts Vienna, Austria

Feminist research on music has revealed the gender-specific conditions for the production, distribution, assessment, appropriation and experience of music, and has explored the participation and representation of women in various music genres. However, far less attention has been paid to the construction of exoticism, the processes of “othering” and the production and circulation of representations of difference. Continue reading

Membership – Clarification‏

Announcement from the IASPM treasurer

IASPM is organised in branches which vary in size and mode of operation. Each branch operates in line with IASPM statutes and has their own executive committee. Branches have different levels of activities including local mailing lists, conferences, journals, study days and newsletters. Larger branches tend to have more of these activities whilst smaller branches may have none. Continue reading

Brazilian Journal E-Compós

Brazilian Journal E-Compós
New issue on popular music‏
www.e-compos.org.br

We are pleased to announce the launch of the new issue of the Brazilian E-Compós journal, entirely devoted to popular music, with articles in English, Portuguese and Spanish. E-Compós is a journal of the Brazilian National Association of Post-Graduate Programs in Communication and the publication of this edition consolidates the field of popular music studies in this area.

The journal can be accessed at www.e-compos.org.br; please choose the English version under “IDIOMA”, field located on the right column of the page.

Live Music Exchange Cardiff

Live Music Exchange
Saturday 10 November 2012
9.00am – 5.00pm, £10 / £5 (conc)
Zen Room, ATRiuM Building, University of Glamorgan

A conference with a difference, the Live Music Exchange gathers together leading academics with people working directly (and indirectly) with live music, to exchange ideas about how to encourage and assist a vibrant and sustainable live music ecology.

The focus of this event is ‘Supporting Live Music in Hard Times’, with a particular focus on Cardiff and Wales. Continue reading

Popular Music, Participation and the People‏

One-Day Symposium
Popular Music, Participation and the People‏
Popular Music Research Unit, Department of Music,
Goldsmiths, University of London, New Cross SE14 6NW
Saturday 27 October 2012, Cinema

11am – 5pm, coffee from 10.30

Free admission, no registration required

Popular music’s past is littered with musicians claiming to speak for the People – and various Peoples claiming to speak through music. From seventeenth century broadside ballads through 1960s protest songs to internet-borne anthems and celebrity endorsements of the twenty first century, music has provided a rallying ground for both radicals and reactionaries. In varied times and places, popular music has been used to carry messages, mobilise or manipulate crowds, to inspire or inhibit social change. Continue reading

3rd International Conference on Music & Emotion

Call for papers
3rd International Conference on Music & Emotion
11-15 June 2013
Jyväskylä, Finland
Deadline for submissions: 7 December 2012

Submission process: proposals should be submitted via the ICME3 author submission management system.

Abstract format: all abstracts should be written in English. Maximum length is 250 words. Abstracts should be in the form of a single paragraph, and contain no tables, graphics, subheadings, nor references. Up to four keywords may be added as desired. Continue reading