Call for papers
Severn Pop Network Inaugural Conference
The Small Economies of the ‘New’ Music Industry
University of Bristol
25 March 2013
The music industry is in a well-publicised state of upheaval. The emergence of digital reproductive technologies (such as CD burners and MP3s), of digital distribution and consumption technologies (such as the iPod, iTunes and Spotify), and of new social media (such as Myspace and Facebook) have radically disturbed established systems of production and consumption. The benefits of these changes have fallen unequally and most cultural commentary has focused on the problems caused to the global record industry. However, one of the distinctive features of the music industry is the continuity between localised ‘para-industrial acts’ and mainstream commercial practices. The importance of geographic and genre-based scenes means that small music economies have a greater significance for the structural organisation of the music industry than in other cultural industries: ‘in the music industry… the small is as significant as the big’ (Frith, 2000). Continue reading