New York University Full-Time Faculty Positions

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Multiple full-time faculty positions
Tisch School of the Arts
New York University

New York University’s Clive Davis Institute of Recorded Music at the Tisch School of the Arts invites applications and nominations for multiple full-time faculty positions to commence in the Fall of 2014. We seek candidates to teach undergraduate courses in each of the following areas: Musicianship and Performance; Writing, Journalism, History, and Emergent Media; Studio Production.

Application deadline is 13 December 2013.

Full posting and application details

NYU encourages applications from women and minorities.

IASPM UK and Ireland 2014 Conference

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Call for papers
IASPM UK and Ireland Biennial Conference
Worlds of Popular Music
University College, Cork

Popular music creates worlds around its listeners, temporary, often intimate, and feelingful environments within which the act of listening occurs. It meanwhile plays significant roles in the global flows of capitalism, politics, tourism and migration, and inflects the virtual spaces opened up online by digital technology. Continue reading →

Post-Doctoral Positions King’s College London

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Three Full-Time Post-Doctoral Positions
King’s College London
Modern Moves: Kinetic Transnationalism and Afro-Diasporic Rhythm Cultures

Applications are invited for three full-time post-doctoral scholars to work on the interdisciplinary project Modern Moves: Kinetic Transnationalism and Afro-Diasporic Rhythm Cultures funded by the European Research Council and located in the English Department of King’s College London under the leadership of Professor Ananya Jahanara Kabir. The appointments are for 54 months. Applicants must have a completed PhD by the application’s closing date. Continue reading →

35th International Conference on the Fantastic in the Arts: Empire

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Call for papers
35th International Conference on the Fantastic in the Arts
Empire
19-23 March 2014
Marriott Orlando Airport Hotel

The ICFA welcomes papers on any aspect of the fantastic – broadly defined as including fantasy, science fiction, weird fiction, horror, gothic, and fairy tales – in Literature, Drama, Film, Music, Video Games and Comics. The Visual & Performing Arts and Audiences (VPAA) Division accepts papers on:

– visual arts such as comic books, paintings, architecture, sculpture, photographs and illustrations;
– the performing arts, including (film, TV, game, pop/rock) music, dance and theater;
– games, including fanfic, fan artwork and cosplay;
– transformative texts, both fan and professional, including mashups and viral marketing;
– and audience/reception studies concerning audiences for any medium or genre of the fantastic. Continue reading →

Social Alternatives: Music, Politics and Environment

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Call for articles
Special issue of Social Alternatives: Music, Politics and Environment
Edited by Tony Mitchell, University of Technology, Sydney

Music is increasingly playing a role in environmental activism, from rock, hip hop, folk, dance music and other forms of popular music through to jazz, classical music, experimental music and sonic arts and installations. How does one measure the ‘carbon footprint’ left by an opera production at the Sydney Opera House, a world tour by U2, the Big Day Out, the Livid Festival, or a gig at the local pub or an unlicensed venue? And how do environmental issues such as these affect the way music is produced and received? This issue of Social Alternatives invites papers that consider any genre of music in terms of political and environmental activism and ways in which music can relate to issues such as climate change, global warming and carbon emissions. Continue reading →