Everything in its Right Place: Analyzing Radiohead

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New book
Everything in its Right Place: Analyzing Radiohead
Brad Osborn
Oxford University Press

9780190629236

Oxford University Press is thrilled to announce the publication of Analyzing Radiohead: Everything in its Right Place, by University of Kansas Assistant Professor of Music Theory Brad Osborn, Ph.D. Expanding on recent work in musical perception, focusing particularly on form, rhythm and meter, timbre, and harmony, Everything in its Right Place treats Radiohead’s recordings as rich sonic ecosystems in which a listener participates in an individual search for meaning, bringing along expectations learned from popular music, classical music, or even Radiohead’s own compositional idiolect. Synthesizing insights from a range of new methodologies in the theory of pop and rock, and specifically designed for integration into music theory courses for upper level undergraduates, Everything in its Right Place is sure to find wide readership among scholars and students, as well as avid listeners who seek a deeper understanding of Radiohead’s distinctive juxtapositional style. Order now and save 30%! Enter promo code AAFLYG6 at checkout at OUP.com.

Assistant Arts Professor, New York University

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Assistant Arts Professor
Clive Davis Institute of Recorded Music
Tisch School of the Arts
New York University

The Clive Davis Institute of Recorded Music of New York University’s Tisch School of the Arts invites applications and nominations for an Assistant Arts Professor position to commence in Fall 2017. We seek music industry professionals and/or academic scholars to teach undergraduate courses in the Writing, History & Emergent Media Studies area of the Clive Davis Institute. This is a full-time, multi-year, non-tenure track appointment, renewable based on performance. Continue reading →

The Velvet Underground

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Call for chapters
The Velvet Underground (academic book collection)
Editors – Sean Albiez and David Pattie

Though, relatively speaking, The Velvet Underground were critically and commercially unsuccessful in their time, in ensuing decades they have become a constant touchstone in art rock, punk, post-punk, indie, avant pop and alternative rock. After the band’s initial demise, in their solo work and live and studio collaborations, ex-band members continued to create music that variously drew from the literary, experimental and pop heritage of the band. In particular Lou Reed, John Cale and Velvet Underground associate Nico produced a number of works that travelled a liminal path between art and pop. Continue reading →

Music and the Middlebrow

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Call for papers
Music and the Middlebrow
22-24 June 2017
University of Notre Dame, London Global Gateway, 1 Suffolk Street, London, SW1Y 4HG

We are now inviting proposals for the forthcoming conference on Music and the Middlebrow. We welcome abstracts for individual papers (20 minutes) and panel sessions (3 papers) that respond to the project rationale. Continue reading →

Britain, Canada, and the Arts: Cultural Exchange as Post-war Renewal

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Call for papers
Britain, Canada, and the Arts: Cultural Exchange as Post-war Renewal
15-17 June 2017
Senate House, London

Papers are invited for a major international, interdisciplinary conference to be held at Senate House, London, in collaboration with ENCAP (Cardiff University) and the University of Westminster. Coinciding with and celebrating the 150th anniversary of Canadian Confederation, this conference will focus on the strong culture of artistic exchange, influence, and dialogue between Canada and Britain, with a particular but not exclusive emphasis on the decades after World War II. Continue reading →