New book
Weekend Societies: Electronic Dance Music Festivals and Event-Cultures
Graham St John (editor)
Bloomsbury

New book
Weekend Societies: Electronic Dance Music Festivals and Event-Cultures
Graham St John (editor)
Bloomsbury

Exploring the Spiritual in Music: Interdisciplinary Dialogues in Music, Wellbeing and Education
4th Nordoff Robbins Plus Research Conference
4th International Spirituality and Music Education (SAME) Conference
9-10 December 2017, London, UK
Conference venue:
Nordoff Robbins Music Therapy Centre
2 Lissenden Gardens, London NW5 1PQ
For information regarding registration and abstract submission guidelines, see: www.nordoff-robbins.org.uk/conference2017
This joint conference is a collaboration between Nordoff Robbins and Spirituality and Music Education (SAME). Continue reading
Associate Professor or Professor
Department of Ethnomusicology
University of California Los Angeles
The UCLA Department of Ethnomusicology seeks a senior scholar for a position with tenure at the level of Associate Professor or Professor, depending on achievements and qualifications. Continue reading
New book
Australian Indigenous Hip Hop: The Politics of Culture, Identity, and Spirituality
Chiara Minestrelli
Routledge

Call for articles
Global Psychedelia and Counterculture
Special issue of Rock Music Studies
Guest-edited by Kevin M. Moist, Penn State Altoona
Submissions are invited for a special issue of Rock Music Studies on the topic of “Global Psychedelia and Counterculture”. Continue reading
New book
Everything in its Right Place: Analyzing Radiohead
Brad Osborn
Oxford University Press

Oxford University Press is thrilled to announce the publication of Analyzing Radiohead: Everything in its Right Place, by University of Kansas Assistant Professor of Music Theory Brad Osborn, Ph.D. Expanding on recent work in musical perception, focusing particularly on form, rhythm and meter, timbre, and harmony, Everything in its Right Place treats Radiohead’s recordings as rich sonic ecosystems in which a listener participates in an individual search for meaning, bringing along expectations learned from popular music, classical music, or even Radiohead’s own compositional idiolect. Synthesizing insights from a range of new methodologies in the theory of pop and rock, and specifically designed for integration into music theory courses for upper level undergraduates, Everything in its Right Place is sure to find wide readership among scholars and students, as well as avid listeners who seek a deeper understanding of Radiohead’s distinctive juxtapositional style. Order now and save 30%! Enter promo code AAFLYG6 at checkout at OUP.com.
Assistant Arts Professor
Clive Davis Institute of Recorded Music
Tisch School of the Arts
New York University
The Clive Davis Institute of Recorded Music of New York University’s Tisch School of the Arts invites applications and nominations for an Assistant Arts Professor position to commence in Fall 2017. We seek music industry professionals and/or academic scholars to teach undergraduate courses in the Writing, History & Emergent Media Studies area of the Clive Davis Institute. This is a full-time, multi-year, non-tenure track appointment, renewable based on performance. Continue reading
Two Assistant Professor of Music Theory positions
School of Music
Herberger Institute
Arizona State University
Application deadline: 15 November 2016
Please download the position advertisement for further details.
Popular Music Studies Today
19th Biennial IASPM Conference
26 June – 30 June 2017
University of Kassel
Germany
The website for the 2017 international IASPM conference is now live: http://iaspm2017.uni-kassel.de/
Call for chapters
The Velvet Underground (academic book collection)
Editors – Sean Albiez and David Pattie
Though, relatively speaking, The Velvet Underground were critically and commercially unsuccessful in their time, in ensuing decades they have become a constant touchstone in art rock, punk, post-punk, indie, avant pop and alternative rock. After the band’s initial demise, in their solo work and live and studio collaborations, ex-band members continued to create music that variously drew from the literary, experimental and pop heritage of the band. In particular Lou Reed, John Cale and Velvet Underground associate Nico produced a number of works that travelled a liminal path between art and pop. Continue reading