“Flip it and Reverse it: Hip-Hop Worldwide” is a space for hip-hop-focused research and content. It is a section of the UCLA journal Ethnomusicology Review.

The section is open to scholars, students, journalists, activists, artists, archivists, and community organizers. We’d like to particularly encourage submissions from BIPOC individuals, LGBTQIA+ individuals, disabled individuals, and non-academically affiliated individuals.

Contributions should ideally be between 1500 and 3500 words, and take advantage of the online-digital format of the publication by making use of media content (pictures, videos, audio, etc.).

If you wish to contribute or have any questions please reach out to:

H. Samy Alim (halim@ucla.edu)

Samuel Lamontagne (slamonta@ucla.edu)

Tabia Shawel (tshawel@bunche.ucla.edu)

More info here

https://ethnomusicologyreview.ucla.edu/content/call-contributions-flip-it-and-reverse-it-hip-hop-worldwide

Ethnomusicology Review

ethnomusicologyreview.org

Call for Articles 

Savoirs en Prisme, n^o 15, 2022, “The Figure of the Musician in the Cinema” 

Edited by: Bénédicte Brémard, Stéphan Etcharry and Julie Michot 

Although pianists (and even organists) left the movie theaters during the silent era, musicians have become a recurrent topic of cinema. One famous example is the first “sound” feature film, The Jazz Singer (Alan Crosland, 1927), whose hero is also an instrumentalist. Background and source music have already been the subject of numerous in-depth studies. This is why Issue 15 of Savoirs en Prisme will focus more specifically on the musician, a figure that can be found in all national cinemas.