The Globalization of Musics in Transit: Musical Migration and Tourism

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Call for contributions

Edited by Simone Krüger (Liverpool John Moores University) and Ruxandra Trandafoiu (Edge Hill University)

We are soliciting chapter proposals for an edited collection entitled The Globalization of Musics in Transit: Musical Migration and Tourism to be published by Routledge in 2013 in its Research in Ethnomusicology Series. (Please note that the book is contractually agreed.) The book studies musical transformations as they occur across time and space, exploring contemporary concerns about the impact of globalization on musics and peoples as they transit across the globe. The book’s focus is on two main themes: musical tourism and travel; musical migration and diaspora. Continue reading →

IASPM-Canada 2012 Annual Conference‏

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Call for papers
Sounding the Nation? Diaspora, Indigeneity, and Multiculturalism
IASPM-Canada Annual Conference
Acadia University, Wolfville, Nova Scotia
June 14 – 17, 2012

What does a critical examination of diaspora offer to our understanding of popular music in the multicultural settler nation of Canada? Over the past twenty years, the term diaspora has proliferated as a way of making sense of how groups of people, defined through ethnicity, culture, religion, and homeland, have circulated and settled in a postcolonial and increasingly globalized world. Although the history of diaspora is shaped by violence and inequality, the concept has also permitted scholars to move beyond a static sense of a “homeland” or a “multicultural mosaic” and examine the complicated interstices, hybridities, and networks that link populations through travel, communication, memory—and music. Continue reading →

Routledge Popular Music in the Nordic Region‏

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Call for contributions
Popular Music in the Nordic Countries: Music, Identity, and Social Change in the Early 21st Century

Editors: Fabian Holt (University of Roskilde, fabianh@ruc.dk) and Antti-Ville Kärjä (University of Turku, avkarj@utu.fi)

For the Routledge series World Popular Music, we are hereby making a call for chapter proposals for a volume with the title above. The volume will examine the role of popular music in the Nordic countries in the context of contemporary social change. The focus of volume will be to situate popular music in both local and cross-national contexts of the region and to apply and develop new interdisciplinary research perspectives. This call is therefore not only targeted at music studies but also at scholars working on music within anthropology, cultural studies, history, sociology, and media studies. The volume is part of a larger pan-Nordic collaboration and forms the basis for the production of radio and television series as well as museum exhibitions. Continue reading →

Ashgate Research Companion to Fan Cultures

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Call for contributions

In recent years, the internet in general and social media in particular has fundamentally changed our media culture. The relationship between producers and consumers has shifted, creating new power relationships. Media culture has become more and more about participation, while technological developments such as ‘Facebook liking’ have further blurred the traditional distinction between fans and audiences. Fans represent the vanguard of these new developments. Insights from early fan studies on active audiences have spread to other notions of the audience. These developments call for a critical rethinking of the role and significance of fans in contemporary culture. Continue reading →

Music and Queer Theory

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Call for contributions
Transposition. Musique et sciences sociales nº3
http://transposition-revue.org

Queer theory is likely one of the most well-known and controversial recent schools of thought, and its impact has been felt in the academic world and beyond. It appeared in the early 1990s in the United States, as a direct offshoot of LGBT (lesbian, gay, bisexual, transgendered) collectives, the work of Foucault (in particular, his History of Sexuality and ideas such as “biopolitics”), and Derrida’s deconstructionism. Continue reading →

The 3rd Inter-Asia Popular Music Studies Conference

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Taipei, 2012
July 13 (Fri) – 15 (Sun), 2012, featuring Postgraduate Sessions on July 13

We are pleased to announce the 3rd Inter-Asia Popular Music Studies (IAPMS) Conference, which will take place on July 13-15, 2012 in Taipei, in collaboration with the Department of Psychology at Fu Jen Catholic University and the Graduate Institute of Mass Communication at National Taiwan Normal University. Following the first conference in Osaka in 2008 and the second conference in Hong Kong in 2010, we move our next meeting to Taipei—hub of vibrant indie music scenes and Mandarin pop music industries. Continue reading →

2011 IASPM Book Prize

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The 2011 IASPM Book Prize
Co-ordinated by Antti-Ville Kärjä
Auckland, Aotearoa New Zealand

The 2011 IASPM prize for a book written in English is awarded to Protest Music in France by Barbara Lebrun.
The 2011 IASPM Book Prize for a book written in a language other than English is awarded to Creating the Myth of ‘Japanese Spirit’ by Yusuke Wajima.
Special Mention is given to El videoclip en España by Eduardo Viñuela.

Download the Book Prize report here [104KB].

Comments on IASPM 2011 conference by Bruce Johnson

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During the closing plenary session at IASPM 2011 International conference, six speakers from as many continents were asked to present their summarising comments on the conference. These are Bruce Johnson’s reflections for Australasia.

First, I want once again to thank and congratulate the conference organisers for the logistical triumph they have achieved in getting us all to this relatively inaccessible destination, for looking after us so well and so cheerfully, and for organising not just the conference, but some really memorable excursions. Continue reading →