Call for Applications:
IASPM Journal Editorial Board Members
IASPM Journal is the international peer-reviewed open-access e-journal of the International Association for the Study of Popular Music (IASPM), published in two issues per year (https://iaspmjournal.net/index.php/IASPM_Journal) and indexed in SCOPUS indexing and citation system. All editorial work is carried out online, via the OJS (Online Journal System), from the preliminary reading of submissions, the peer-review stage and editorial decision-making, to copyediting, layout and final proofreading.
Two positions are now available on the IASPM Journal Editorial Board. The duration of the terms will be October 1, 2021-October 1, 2025. If you are interested, please fill the questionnaire (https://forms.gle/DC6Fm17M9qR9UCjX9) by August 1st 2021. We will announce the results of this call by October 2021.
Women & Music: A Journal of Gender and Culture is now accepting submissions for volume 26 (2022). The journal is particularly interested in work that provides a critical perspective on music and/or sound, and in work that considers the role of gender, sexuality, race, citizenship, class, or other cultural and social factors in the production, circulation, historicization, or consumption of music. Women & Music is an annual publication, published by the University of Nebraska Press.
The journal welcomes stand-alone academic articles, as well as shorter, thematically-linked pieces, poetry, original artwork, and short scores or musical extracts that have not been previously published. Stand-alone articles are typically 6K-10K words; longer pieces may be considered in consultation with the editor. Scores should be no more than five pages long, and formatted to fit the 7 ¼” x 4 ¼” printed area of the journal’s pages. Musical contributions should be written by female-identifiying composers or address issues of gender or sexuality in some form.
Submissions should be sent by July 7th to WAM’s Editorial Collective at WAMjournal@gmail.com, which includes Lisa Barg (McGill University), Kimberley White (McGill University), and Vanessa Blais-Tremblay (Université du Québec à Montréal). Books for review should be sent to the Book Review Editor; for the mailing address contact Laura Risk (University of Toronto-Scarborough) directly at email@example.com
Turns and Revolutions in Popular Music. Proceedings from the XX Biennial Conference of IASPM, Canberra, Australia, 24th – 28th June 2019 e-book has now been published.
Here is the direct link: https://iipc.utu.fi/iaspm2019/
(as part of IIPC Online series here, as vol. 8: https://iipcblog.wordpress.com/publications/).
Hope you enjoy!
IASPM Annual General Meeting 2021
Dear IASPM members,
The Executive Committee of IASPM invites you to the virtual annual general meeting (AGM) that will take place on July 1st, 2021, at 12 noon (12 pm GMT+1, London time). The meeting will take place via Zoom. This is the link to the meeting:
Topic: IASPM AGM Zoom Meeting
Time: Jul 1, 2021 12:00 London
Join Zoom Meeting
Meeting ID: 969 5866 1986
I’m happy to share with you the last call for papers from the Italian scientific Journal “Education Sciences & Society”: https://journals.francoangeli.it/index.php/ess/announcement/view/37
Professor Massimiliano Stramaglia and I we’ll be glad if you consider participating with a paper about the way pop music can help to clarify the meaning of being young today.
Thank you very much for your kind attention!
The Formal Theory Study Group is pleased to announce that the rescheduled International Conference on Musical Form will take place virtually on 21st-23rd June, 13:00-19:00 (BST). We are looking forward to welcoming Janet Schmalfeldt (Tufts University) and Steven Vande Moortele (University of Toronto) as keynote speakers, and hosting a roundtable discussion on ‘Formenlehre and Canonicity’.
The provisional conference programme is available here: https://www.formenlehre.co.uk/icmf-programme
Due to the COVID-19 pandemic, the conference will now take place online with pre-recorded papers and posters that you can watch in advance of the conference. The live conference will instead give delegates five minutes to summarise their paper, followed by ten minutes of questions. Most of the pre-recorded papers are already available for viewing. To join the conference and access the pre-recorded papers, you will need to complete the online registration, which is completely free. To register, there are three main steps:
1) Sign up to our website (formenlehre.co.uk). Click on the ‘log in’ button on the top right of the page. You will then be directed to a page for setting up an account.
2) To access the pre-recorded videos, you will also need to ‘subscribe’ to the membership plan ‘ICMF2021’ (https://www.formenlehre.co.uk/plans-pricing).
3) Change the quantity of ‘ICMF Event Ticket’ to 1, then press check out and fill in the form. A confirmation email will be sent to you. (Although you will technically be ‘buying’ a subscription, the price is set to £0 so this is completely free and you will not need to give any payment details.) (https://www.formenlehre.co.uk/event-details/international-conference-on-musical-form-3)
For more details, please visit https://www.formenlehre.co.uk/conference
Colloquium | Independent Music Labels: Histories, Practices and Values 22-25.06.2021 | online. The final programme can be found from here: http://www.inetmd.pt/index.php/en/conferenciaseventos/14095-coloquio-a-edicao-independente-de-musica-historias-praticas-e-valores-en
‘Rethinking Participatory Processes Through Music’
14-15 January 2022, online event
Convened by Igor Contreras Zubillaga (British Academy Postdoctoral Fellow, University of Huddersfield) and Robert Adlington (University of Huddersfield)
Keynote speakers: Hélène Landemore (Yale University), Anna Bull (University of York), Raymond MacDonald (University of Edinburgh)
In recent times, the UK’s Brexit vote, the 2016 US presidential election, and other elections worldwide have made democratic processes the subject of unprecedented public debate. This has led to widespread questioning of the mechanisms for people’s participation in the democratic system and in political decision-making. One of the most ground-breaking inquiries into what public participation ought to look like within democracy has recently been carried out by political scientist Hélène Landemore (Yale University). In her book Open Democracy (2020), Landemore favours the ideal of ‘representing and being represented in turn’ over direct-democracy approaches. Drawing on recent experiments with citizens’ assemblies, Landemore offers a different concept of nonelectoral democratic representation.
Dear IASPM Members,
The International Journal of Music Business Research is now open access published by Sciendo.
Volume 10 (2021): Issue 1 (April 2021) is now available:
on June 7, 2021 at 1pm EDT, as part of the IASPM Research Seminar series, IASPM-US will be hosting a one hour virtual seminar entitled “Say it Loud: Black Voices in U.S. Popular Music Studies” moderated by Dr. De Angela L. Duff. The seminar will feature presentations by Drs. Brittnay L. Proctor, Matthew D. Morrison, Elliott H. Powell, Kimberly R. Mack, and Daphne A. Brooks about their respective research/book projects in Black music studies. There will also be Q&A following everyone’s presentation.
This will be a zoom event, and you can register here. We look forward to seeing you all June 7th!