Call for Papers

Music and the Spanish Civil War

8 – 10 October 2020

Humboldt University, Berlin

Convened by Diego Alonso (Postdoctoral Fellow, Humboldt University, Berlin) in collaboration with the International Hanns Eisler Society, Berlin. The conference is supported by the Deutsche Forschungsgemeinschaft.

Keynote speakers:

Michael Christoforidis & Elizabeth Kertesz (U. of Melbourne, Australia)

Gemma Pérez Zalduondo (U. of Granada, Spain)

Until recently, the Spanish Civil War (1936–1939) was frequently considered a time of paralysis, a parenthesis between the rich musical life of early 20^th-century Spain and the new cultural and musical landscape of post-war Spain under Franco’s dictatorship. Accordingly, we still lack a thorough account of the role played by music and music criticism in this crucial period of Spain’s recent history. Similarly, the international impact of the Civil War on music has been explored only sporadically. These studies have focused primarily on a few musicians and a small selection of works, rather than more fully examining the range of activities, productions and debates involving music in and beyond Spain.

Big Sounds from Small Places

IASPM Canada Annual Conference 2020 Call For Papers

Cape Breton University: Sydney, Nova Scotia

12 – 14 June 2020

Submission Deadline: 10 January 2020

As we enter into a new decade it’s apt to question our place in the world. Almost sixty years ago, Marshall McLuhan notably coined the term Global Village to refer to the global spread of media content and consumption, and yet Canada still struggles with its position in the world as an imposing landmass with a relatively small population, and how that influences where and how its cultural texts are encountered. This conference seeks to address the concept of voice and sound as tied to space and place, in the broadest sense. In regards to popular music in Canada, we have established a strong identity, but one that is often defined in opposition to our more vocal neighbours to the South. As we continuously define and redefine Canadian cultural identity, and cultural outputs, this conference questions how our musical landscape has historically adapted, and will continue to adapt, to an increasingly globalized environment.

Host: Popakademie Baden-Württemberg

Dates: 25. – 27. September 2020

Locations: Hochschule für Musik und Darstellende Kunst Mannheim/Popakademie Baden-Württemberg, Mannheim

in cooperation with Leuphana Universität Lüneburg as well as with the Jahrestagung des Bundesverbands Musikunterricht e.V.

Organizers: Michael Ahlers / David-Emil Wickström

Theme: Not Ready to Make Nice – Power, Threats and Harassments in Popular Music

*** Dec 15, 2019: The deadline for the submission is extended to Jan 15, 2020. 

The 7th Inter-Asia Popular Music Studies (IAPMS) Conference Kuala Lumpur, Malaysia

23-25 July, 2020

Organised by Inter-Asia Popular Music Studies Group (IAPMS Group)

Hosted by

Sunway University, Kuala Lumpur, Malaysia

Abstract Submissions Deadline

15 December 2019

Theme: Asia’s Sonic (under)Currents and Currencies

The recent international popularity of Korean pop groups BTS and Blackpink placed Asia from passive recipients to active participants of otherwise US and UK dominated global pop music. However, the extent in which they represent and personify the rich undercurrent of popular music circulation in Asia remains debatable in Asia’s culturally diverse landscapes. While the digital platform and social media as well as travel have intensified the flows of popular music participation, it is probably premature to idealistically suggest the levelling of more enduring historical and cultural boundaries and borders. The post•global or post•digital condition needs discussion.

IASPM-Norden conference 2020

Music in the Age of Streaming – Nordic Perspectives

IASPM-NORDEN CONFERENCE

PITEÅ, SWEDEN, 15–17 JUNE 2020

The IASPM-Norden conference aims to shed light on various aspects of streaming of/in popular music within the Nordic context. Nordic popular music is a dynamic field comprising a great variety of artists, music producers and entrepreneurs on both ends of the cultural spectrum, from commercially successful to less known and underground. More broadly, listening to popular music has become an evermore accessible activity in people’s everyday life, and so have the “streams” of music flowing across many borders – geographical, ideological, socioeconomic, cultural, disciplinary, etc. In addition to the everyday distribution and listening of music through digital networks, we contend specifically that “streaming” may also be used to conceptualize musical cultures beyond the scope of Spotify or other streaming services. That said, even an analysis of a platform like Spotify may benefit from an approach that investigates the deeper currents and flows of its streams, as pursued by Spotify Teardown (Eriksson et al. 2019) recently. With this conference we wish to engage with the many intersections of musical streams and invite papers that highlight the ways in which “streaming” characterize music and musical cultures.

Jagiellonian University, July 22nd – 24th, 2020
Deadline: 29th February, 2019

Individual paper and panel contributions are welcomed for the ninth annual international conference of the European Popular Culture Association (EPCA), to be held at Jagiellonian University, Kraków, Poland, July 22nd – 24th, 2020.

Pop and Politics:

State of the Field/State of the World

Annual Conference of the Popular Culture Association of Canada

Concordia University, Montreal, QC, May 7-9, 2020

After a one-year hiatus, the annual conference of the Popular Culture Association of Canada is back and looking forward—as well as up, left, right, down, and back. For our 9^th annual conference, which will take place at Concordia University in Montreal, QC from May 7^th-9^th, 2020, we’re reflecting on the state of our field by inviting discussion on the relationship between popular culture and politics, broadly conceived.

Maynooth University Arts & Humanities Institute

24-25 March 2020

Keynote Speakers:

Professor Rachel Harris (SOAS)

Dr Thomas Irvine (Southampton)

It is well understood that sound and music operate as media of governance in various historical and contemporary colonial matrices of power. As such, they have been central not only to processes of territorial colonization, but also to cognitive and behavioural colonization. Indeed, efforts to displace or ‘write over’ other soundscapes and to delegitimize and render mute other forms of knowledge production, other aural/musical epistemes, are integral to colonial and imperial processes of epistemicide.

deadline for submissions: June 30, 2020full name / name of organization: Murray Leeder/University of Manitoba
contact email: murray.leeder@nucleus.com