From the 27th of June 2011 Rhodes University will host the IASPM 16th Biennial International Conference.
The final programme is available here: final programme
Call for papers (closed)
Please visit the conference website for further information: http://www.atashost.co.za/IASPM/
Listening to popular music: practices, experiences, representations
Submission deadline: June 1st, 2011
Volume! a French peer-reviewed journal dedicated to the interdisciplinary study of popular music seeks contributions for a special issue on listening. This issue will explore the premise that a focus on listening can be a fruitful basis for the analysis of popular music, one that can enrich our understanding of aesthetic relationships and signifying practices. Any scholarly essay on popular music and its listeners or how it is listened to is welcome. Continue reading →
An interdisciplinary conference examining the theme of break-up and reunion in popular music acts, focusing on Take That
University of Salford
3-4 June 2011
Extended deadline: 20 April 2011
Organised by the University of Salford
in conjunction with the exhibition
“Fan Networks in the Pre-Digital Age:
Take That Fans 1990-1996”
The long-anticipated reunion of Take That and Robbie Williams and the unprecedented sales figures for their summer tour 2011 offer an excellent opportunity for scholars from a range of academic disciplines to discuss key issues arising from this contemporary popular music phenomenon. From at least the time of the Beatles, the break-up of a favoured band has had profound implications for fans, followers, and the music industry.
The convenors invite papers from any discipline which address the themes of break-up and reunion of popular music acts. We are particularly interested in papers addressing these issues in relation to Take That and boy bands generally but welcome any proposals that address these themes more generally in popular music. Continue reading →
Oxford Brookes University
Department of Music
MA Open Day
4 March 2011, 1-4.30pm.
Oxford Brookes Music department are holding an Open Day about our re-vamped MA in music. Please pass on the information below to any students you think may be interested and ask them to register for a place. Continue reading →
Call for contributions
Transposition. Musique et sciences sociales. – no 2
Facial expression, physical presence, fashion prowess, vocal intonation, the ways of seduction are numerous and variable. Respecting the codes adopted by the societies and cultures from which it originates, seduction is nevertheless an ‘ordinary social act’ which can be considered as universal.
Cecile Dauphin and Arlette Farge present it as ‘one of the nodal points of social architecture’, a reality from which no society or era has escaped. [cf. Dauphin, C. et Farge, A. (éd.), Séduction et sociétés. Approches historiques. Paris : Seuil. 2001]. Recently brought on the agenda by social sciences studies, the privileged relationships that seduction maintains with music will be at the core of the present issue. Continue reading →
11th April 2011
Oxford Brookes University
Call For Papers
The Oxford Brookes Popular Music Research Unit, in association with The Royal Musical Association and The Oxford International Centre for Publishing Studies, is holding a one-day symposium exploring links between music and publishing in its broadest sense on April 11th, 2011. This event is intended to bring together academics, journalists and publishers to explore this previously neglected area which offers exciting opportunities to tap into current concerns about the effects of the internet on the dissemination of music, to explore how our experience of music is shaped by publications relating to it, and to explore more broadly the important issue of the relationship between music and commerce, both in a historical context and in the present.
The day will feature themed paper sessions, a keynote presentation from the Music Publishing Association, a discussion panel of journalists including Fiona Maddocks and Alyn Shipton focusing on writing about classical, jazz and popular music and will end with a round table discussion featuring Dr Dai Griffiths (Brookes), Dr Lee Marshall (Bristol) and Dr Simon Warner (Leeds) to consider future directions of research in this area. Continue reading →
With the International Association for the Study of Popular Music (IASPM) approaching its 30th birthday norient wants to contribute to this anniversary by dedicating its first issue of the norient academic online journal to popular music ethnographies – with a twist. While IASPM has been a major force in contributing to the study of popular music using a methodologically broad approach these studies have to a large extent been focused on a North American and British/European popular music legacy.
This call for articles which will result in the first volume and issue of the norient academic online journal aims to show the diversity of popular music throughout the world by focusing on popular music in a broad sense from outside the European and North American canon of popular music. Continue reading →
6-9 October 2011
Following previous meetings in Colmar (France), Trento (Italy), Montpellier (France), Rotterdam (Holland), Bristol (UK), and Freiburg (Germany) the 7th European Music Analysis Conference (VII EUROMAC) will be organized in Italy by the Italian Society Gruppo Analisi e Teoria Muscale (GATM) in association with the Dipartimento di Beni Culturali, Musica e Spettacolo (BEMUS) of the Università di Roma Tor Vergata, and with the collaboration of SFAM (Société Française d’Analyse Musicale), SBAM (Société Belge d’Anayse Musicale), VvM (Vereniging voor Muziektheorie), SMA (Society for Music Analysis), GMTH (Gesellschaft für Musik Theorie). Continue reading →
TRANS- Transcultural Music Review 16 (2012) will publish a special dossier on the new forms of music in audiovisual media. The dossier will be prepared in collaboration with the research group “Música y medios audiovisuales” from the Society for Ethnomusicology-SIBE/IASPM-Spain and will be edited by Teresa Fraile, Eduardo Viñuela, and María Edurne Zuazu. Continue reading →
Submissions are sought for a collection of essays titled Write in Tune: Representing Contemporary Music in Fiction.
Edited by Jeffrey Roessner (Mercyhurst College) and Erich Hertz (Siena College)
Submission deadline: January 31, 2010
Since the 1960s the confluence of music and literature has moved far beyond simple adaptation studies, with writers turning to music for cultural references, foundational metaphors, and complex intertextual structure. Indeed, the range of novels that reference contemporary music is stunning, from obvious examples such as Roddy Doyle’s The Commitments, Nick Hornby’s High Fidelity, Jonathan Lethem’s Fortress of Solitude, Alan Warner’s Morvern Callar, and Sherman Alexie’s Reservation Blues, to more subtle intertextual negotiations in Irvine Welsh’s Trainspotting, Willy Russell’s The Wrong Boy, and Don DeLillo’s Great Jones Street. Continue reading →