Journal of World Popular Music‏

Call for articles
Journal of World Popular Music
Editor: Simone Krüger

We are pleased to announce a call for submission of articles for the new Journal of World Popular Music (first issue to be published in June 2014). Articles may focus on the study of world popular music in all its forms and from a variety of academic and other perspectives, including any local popularized musics of the world, commercially available music of non-Western origin, musics of ethnic minorities, and contemporary fusions or collaborations with local ‘traditional’ or ‘roots’ musics with Western pop and rock musics. Continue reading

Mediating Cityscapes

Call for papers
Mediating Cityscapes
Den Haag/The Hague
25-27 September 2013

If urban space has historically been defined by the relation between static structures and mobile subjects, this dichotomy is fast giving way to hybrid spatialities characterized by dynamic flows which not only dissolve the fixity of traditional modes of spatial enclosure, but problematize the unified presence of the subject traversing their contours. Scott McQuire, The Media City (2008) Continue reading

Lecturer in Digital Cultures

Lecturer in Digital Cultures‏
University of Liverpool
Salary Grade 8, £37,382-£47,314 pa

The Department of Communication and Media and The School of Music wish to appoint a Lecturer in Digital Cultures. Applicants with expertise in social media, audio-visual cultures, screen media, and/or video games, are especially welcome, but those with teaching and research expertise in other areas of digital media are also encouraged to apply, so long as their interests relate to the work of both departments. Continue reading

IASPM-ANZ 2013 Conference

Call for papers
IASPM-ANZ 2013 Conference
Popular Music Communities, Places and Ecologies
Queensland Conservatorium, Griffith University
24-26 November 2013

We are pleased to announce this call for papers for the 2013 IAPSM-ANZ conference, which will be held at the Queensland Conservatorium, Griffith University, in conjunction with the International Music Council’s 5th World Forum for Music (21-24 November). The theme of the IMC World Forum is Sustaining Music, Engaging Communities with a strong emphasis on the interplay between music, musicians and their various environments of activity (natural, built, social and cultural, etc.). Drawing on this, the theme of the 2013 IASPM-ANZ conference, Popular Music Communities, Places and Ecologies seeks to foster scholarly engagement with the various ways in which music, people and place are connected. While notions of ‘community’ and ‘place’ are well-established constructs in popular music studies, we introduce here the notion of ‘ecology’ as a further consideration in the relationship between popular music and place. This term may be understood literally, in reference to the natural or physical environment, or figuratively, as a metaphor for the numerous other possible environments of popular music production and consumption. Continue reading

IASPM 2013 Elections

IASPM 2013 Elections
Nomination Form
Nominations Closing Date: 24 May 2013

As outlined in the IASPM Statutes (9.1, 9.5) and Rules of Procedure (2.1.5), the International Association for the Study of Popular Music welcomes nominations from members wishing to serve on the next Executive Committee elected at the General Meeting of members convened at the 2013 conference to be held at the Universidad de Oviedo in Gijón.

Please download the form from this link: http://www.iaspm.net/doc/NOMIN13.zip

and return it completed to: carloanardi[at]gmail.com

using this subject line: IASPM 2013 Elections

Nominations closing date: 24 May 2013 Continue reading

Culture and Resistance

Call for papers
Culture(s) and Resistance Today
19-21 June 2014
Nîmes University (France)

The 6th Cultural Geography, Anthropology, and Cultural Studies International Conference in Languedoc-Roussillon, organized by Catherine Bernié-Boissard, Claude Chastagner, Dominique Crozat and Laurent-Sébastien Fournier, will focus on culture(s) and resistance today. What is the nature of the connections between the various forms of culture and the various forms of resistance? Dialogues, oppositions, transformations? The conference will investigate anthropology (nature and culture), history (civilization and culture), geography (territories, identities, landscapes and cultures) as well as the contemporary representations given of these connections by various art forms. Continue reading

Online Conference on Performance in the Studio

Call for contributions via text or video blogs
Online Conference on Performance in the Studio
29 April-5 May 2013
Convened by the (UK) AHRC-funded Research Network on Performance in the Studio (PitS)

The PitS Network was set up to study musical performance in the recording studio from as wide a range of perspectives as possible. The main focus has been a filmed recording session that took place in the studios of the London College of Music, UWL involving Jo Beth Young, a singer / songwriter and Grammy-winning producer Mike Howlett. Along with drummer Chris Taylor, double bass player Jonny Bridgwood and the Bergersen String Quartet arranged by Oscar nominated arranger/composer John Cameron, Jo Beth Young and Mike Howlett were filmed in rehearsal and throughout the session and in a series of interviews. This unprecedented resource will be available to view on the Art of Record Production (ARP) website at the beginning of April 2013. As a further output of the research network we are convening an online conference which will also remain as a legacy resource on the ARP website. Continue reading

Music in the Social and Behavioral Sciences: An Encyclopedia

Call for authors
Music in the Social and Behavioral Sciences: An Encyclopedia
Deadline: 28 June 2013

Music in the Social and Behavioral Sciences is the definitive reference resource that takes a broad interdisciplinary approach to the nexus between music and the social sciences. The encyclopedia fills a library market gap by looking at how music affects human beings and their interactions in the world. The interdisciplinary nature of the work provides a starting place for students to situate the status of music within the social sciences in fields like anthropology, communications, psychology, sociology, sports, political science, and economics as well as biology and the health sciences. This reference work contains approximately 450 articles in two large volumes, richly illustrated with photographs and video and audio clips in the online edition, which provide the sociological context for students to examine the importance of music in today’s society. The signed articles, with cross-references and Further Readings are accompanied by pedagogical elements, including the Reader’s Guide, Chronology of Music, Resource Guide, Glossary, and thorough Index. Continue reading