PhD studentship at Bristol‏

The School of Sociology, Politics and International Studies (SPAIS) at the University of Bristol will be offering a postgraduate research scholarship for a new Home (UK or EU) student for September 2012 entry. The scholarship will offer funding for three years to cover tuition fees and a maintenance stipend equivalent to RCUK rates. We invite applications from strong candidates in all areas of sociology, politics or international studies.

Further details are available at: http://www.bristol.ac.uk/spais/prospective/prospectivepgr/pgr-scholarship/

Music & Moving Image

Call for papers
Music and the Moving Image VII Conference
New York University, 1-3 June, 2012

The annual conference, Music and the Moving Image, encourages submissions from scholars and practitioners that explore the relationship between music, sound, and the entire universe of moving images (film, television, video games, iPod, computer, and interactive performances) through paper presentations.

More info, practical details, etc. at http://steinhardt.nyu.edu/music/scoring/conference

IASPM-US and Pop Conference

Sounds of the City
IASPM-US Annual Conference
Jointly held with 2012 EMP Pop Conference presented by NYU’s Clive Davis Institute of Recorded Music
New York City, March 22-25, 2012

Charlie Gillett’s pioneering The Sound of the City declared, with its title, that the electrified roots music of Elvis and Little Richard was an urban synthesis: “In rock and roll, the strident, repetitive sounds of city life were, in effect, reproduced as melody and rhythm.” But the metropolitan modernities of popular music take many different forms: Nuyorican salsa, Ralph Ellison “living with jazz” in his apartment building, San Francisco open-air psychedelia, double dutch and breakdancing, Amadou & Mariam’s “fast food Dakar,” and beyond. So for this year’s joint International Association for the Study of Popular Music-US branch gathering and EMP Museum Pop Conference, presented by New York University’s Clive Davis Institute of Recorded Music, we copyedit Gillett slightly and ask that presenters explore sounds of the city—the reverberations of people gathered en masse. Following are some suggested but not required subthemes. All styles and eras of pop music are welcome. Continue reading

Charles Hamm – memorial service‏

A memorial service for Charles Hamm (1925-1911) will be held on Saturday, 3 December 2011, 3-5 p.m., Norwich Inn, Norwich, Vermont.

Please RSVP if you expect to attend, to Chris Hamm at jcsong@u.washington.edu.

If you cannot attend, but would like to enter words into the memorial register, please send them to Chris (jcsong@u.washington.edu) or mail them to him at:  Chris Hamm/13530 16th Ave NE/Seattle, WA 98125.

Faculty Positions: Clinical, Assistant and Associate Professors of Music

New York University
Abu Dhabi campus

NYU Abu Dhabi currently seeks a number of dynamic and creative music scholars and scholar-practitioners to teach within and across the disciplines of musicology/ethnomusicology, theory/composition, performance, and music technology/new media.  The successful candidate(s) will have a record of significant achievement in one or more of the above areas, an adventurous program of research and/or performance, and experience teaching at the undergraduate level. Candidates with experience in academic leadership and/or curricular development are particularly encouraged to apply. Continue reading

Brian Eno edited collection‏

Call for contributions

On the back of his published diary (A Year with Swollen Appendices, Faber 1996) Brian Eno describes himself variously as: a mammal, a father, an artist, a celebrity, a pragmatist, a computer- user, an interviewee, and a ‘drifting clarifier’. To this list we might add rock star (on the first two Roxy Music albums); the creator of lastingly influential music (Another Green World; Music for Airports); a trusted producer (for Talking Heads, U2, Coldplay and a host of other artists); the maker of large scale video and installation artworks; a maker of apps and interactive software; and so on, and so on. All in all, he is one of the most feted and most influential musical figures of the past forty years (even though he himself has consistently downplayed his musical abilities, describing himself as an anti-musician on more than one occasion). Continue reading

Charles Hamm (1925-2011)

A personal tribute by Philip Tagg

Charles Hamm, founder member of IASPM and distinguished music scholar, died on 16 October 2011. He will be sorely missed.

I was delighted when, in 1981, Charles agreed to deliver a paper at the first IASPM international conference in Amsterdam. And what a paper it was! If only we’d paid more attention to what was really popular on TV — The Osmonds and Sousa marches rather than to what was #1 in the charts (Kim Carnes) or particularly cool among rockologists— we “could easily have predicted the outcome of last fall’s presidential election”, he argued, “and anticipated other recent events in the United States signalling a massive swing to the right, politically and socially” (Hamm, 1982: 13). Continue reading

Perspectives on Musical Improvisation

Call for papers
10th-13th September 2012
Faculty of Music, University of Oxford

Conference theme
Improvisation is arguably the most widely distributed form of musical practice – and yet remains the least studied or understood. Indeed, even the boundaries of what is or is not regarded as improvisation remain unclear. This conference will address the many faces of improvisation from a wide range of disciplinary perspectives – historical, psychological, ethnomusicological, analytical, technological, sociological, organological, and pedagogical. Over the course of four days, the conference will include papers, practical sessions, and poster presentations.

The conference is affiliated to the AHRC-funded Centre for Musical Performance as Creative Practice (CMPCP) and enjoys the support of SEMPRE, IMR, BFE, and SMA. Continue reading