Dear IASPM members,
We are pleased to announce the publication of the special issue of Transposition “Sound, Music and Violence” https://doi.org/10.4000/transposition.3213
Transposition is an interdisciplinary peer-reviewed journal, supported and co-published by the École des hautes études en sciences sociales (EHESS) and the Cité de la musique-Philharmonie de Paris. It promotes open research, publishing original articles, commentaries and reviews in open access under a Creative Commons license (CC BY-SA 4.0). A member of OpenEdition Journals, Transposition is indexed in the Répertoire International de Littérature Musicale (RILM) and the Directory of Open Access Journals (DOAJ, https://doaj.org/toc/2110-6134).
Best wishes,
Sarah Benhaïm
On behalf of the editorial board of Transposition
—
Transposition, Hors-série 2 (2020)
Sound, Music and Violence
https://doi.org/10.4000/transposition.3213
Introduction
– Luis Velasco-Pufleau
Introduction. Son, musique et violence
https://doi.org/10.4000/transposition.5067
Introduction. Sound, Music and Violence
https://doi.org/10.4000/transposition.5160
Articles
– Victor A. Stoichita
Affordance to Kill: Sound Agency and Auditory Experiences of a Norwegian Terrorist and American Soldiers in Iraq and Afghanistan
https://doi.org/10.4000/transposition.4065
– Sarah Kay
Songs of War: The Voice of Bertran de Born
https://doi.org/10.4000/transposition.3785
– Nikita Hock
Making Home, Making Sense: Aural Experiences of Warsaw and East Galician Jews in Subterranean Shelters during the Holocaust
https://doi.org/10.4000/transposition.4205
Interview and Commentaries
– Luis Velasco-Pufleau
De la musique à la lutte armée, de 1968 à Action directe : entretien avec Jean-Marc Rouillan
https://doi.org/10.4000/transposition.3709
From Music to Armed Struggle, from 1968 to Action Directe: An Interview with Jean-Marc Rouillan
https://doi.org/10.4000/transposition.3780
– Matthew Worley
Guitars Give Way to Guns: A Commentary on an Interview with Jean-Marc Rouillan
https://doi.org/10.4000/transposition.4284
– Timothy Scott Brown
Going Underground: The Politics of Free Music around 1968
https://doi.org/10.4000/transposition.4863
– Jeremy Varon
Reflections on a Revolutionary and Music
https://doi.org/10.4000/transposition.4644
Essays
– Morag Josephine Grant
On Music and War
https://doi.org/10.4000/transposition.4469
– Cornelia Nuxoll
Culprit or Accomplice: Observations on the Role and Perception of Music in Violent Contexts in the Sierra Leone War
https://doi.org/10.4000/transposition.4382
– Annegret Fauser
Sound, Music, War and Violence: Listening from the Archive
https://doi.org/10.4000/transposition.4310
– Michael Guida
Nature’s Sonic Order on the Western Front
https://doi.org/10.4000/transposition.4770
– John Morgan O’Connell
Sound Bites: Music as Violence
https://doi.org/10.4000/transposition.4524
– Anna Papaeti
On Music, Torture and Detention: Reflections on Issues of Research and Discipline
https://doi.org/10.4000/transposition.5289
– Hettie Malcomson
On Sensationalism, Violence and Academic Knowledge
https://doi.org/10.4000/transposition.4931
– J. Martin Daughtry
Did Music Cause the End of the World?