Call for papers and new publications
Volume! and the Editions Mélanie Seteun are pleased to announce the following events:
Sheila Whiteley (ed.) “Popular Music and Countercultures” issues of Volume! will be out in November and February.
An English version edited by Sheila Whiteley and Jedediah Sklower will be published in 2013 by Ashgate, with an introduction by Andy Bennett. More information soon.
Stéphane Dorin (ed.), Sound Factory. Music and Industrialization with texts from Jeremy Deller, Patrick Mignon, Simon Frith, Gérôme Guibert, David Hesmondhalgh, Philippe Bouquillion. More information.
II. Call for papers:
“Changing the Tune: Popular Music & Politics in the 21st Century From the Fall of Communism to the Arab Spring”
International Conference – Strasbourg University, France – 7-8 June 2013
- Alenka BARBER-KERSOVAN, Leuphana University of Lüneburg, Arbeitskreis Studium Populärer Musik
- Elsa GRASSY, Université de Strasbourg, International Association for the Study of Popular Music-branche francophone d’Europe
- Jedediah SKLOWER, Université Catholique de Lille, Éditions Mélanie Seteun / Volume! the French journal of popular music studies
Confirmed Keynote Speakers:
- Martin Cloonan, University of Glasgow
- Rajko Mursic, University of Ljubljana
Popular Music scholars have devoted considerable attention to the relationship between music and power. The symbolic practices through which subcultures state and reinforce identities have been widely documented (mainly in the field of Cultural, Gender and Postcolonial Studies), as have the increasingly political and revolutionary dimensions of popular music. Most studies have focused on the genres and movements that developed with and in the aftermath of the 1960s counterculture. Yet little has been written about how the politics of popular music has reflected the social, geopolitical and technological changes of the late 20th and early 21st centuries, after the fall of Communism. Still, the music of the Arab Spring or of the Occupy and Indignados movements have been scarcely commented upon while they attest to significant changes in the way music is used by activists and revolutionaries today. More information.