Toronto
2000
Musical Intersections
IASPM US-Canada Program
| Thursday, Nov. 2, 2000 | Friday, Nov. 3, 2000 | Saturday, Nov. 4, 2000 | Sunday, Nov. 5, 2000 |
|
Program Committee: |
| Friday, Nov. 3, 2000 |
||
|
9-12 a.m. |
IASPM 1 (Cinema 1-344) |
When
Technology and Music Intersect: |
| Steve
Jones (University of Illinois at Chicago) |
Panel moderator | |
| David Sanjek (BMI Archives) | Mourning
becomes electronic: Temporality and digital music |
|
| Paul
Théberge (University of Western Ontario) |
Sampling
the World: Cultural Commodification and World Music |
|
| Kai Fikentscher (Columbia University) | The
music teacher, the DJ, and the turntable: A comparison or formal and informal music education |
|
| Paul
Fischer (Middle Tennessee State University) |
Teaching Music (Business) Without Crippling Careers | |
| Steve Jones | Technology
and epistemology: How do we ‘do’ popular music studies in the 21st century? |
|
| Scott
A. Wyatt (University of Illinois at Urbana-Champaign) |
Composition
and Music Education: The Consequences of Technology |
|
|
IASPM 2 (Conf. F-70) |
Pedagogies and Methodologies |
|
| Peter Winkler (SUNY at Stony Brook) | Chair | |
| Kyra D. Gaunt (University of Virginia) | The
2:00 Vibe: Mixing Cultures, Amplifying Gender, and Producing an Alternative Pedagogy for Popular Music |
|
| Bruce Horner (Drake University) | Teaching
the Labor of Listening: Toward a Pedagogy of Music as Social |
|
| Keith Harris (Goldsmiths College, London) | Unspectacular
Subculture?: Transgression, Mundanity and the Concept of 'Scene |
|
| Lauri Väkevä (University of Oulu) | A
Good Artist Borrows; a Great Artist Steals: Towards a Pattern-Based Conception of Learning Musical Style: A Pragmatic-Semiotic View on Teaching of Afro-American Popular Musics |
|
|
IASPM 3 (York-68) |
Masculinity and Music |
|
| Susan
Cook (University of Wisconsin, Madison) |
Chair | |
| Jacob Smith (Indiana University) | Rough
Mix: The Male Voice on Record |
|
| Peter Lehman (Arizona State University) | "There
Are Stronger Men Than Me": Masculinity in the Music of Roy Orbison |
|
| Krin Gabbard (SUNY Stony Brook) | Hipsters
and Nerds: Representing the Jazz Record Collector |
|
| Glenn
T. Pillsbury (University of California at Los Angeles) |
Exhorting
Explorations: Whiteness and Detachment in the Music of Metallica, 1984-1990 |
|
| Michael
Jarrett (Pennsylvania State University, York) |
Respondent | |
|
2:00 -5:00 p.m. |
IASPM 1 (Tom Thom-100) | Processes
of Ritual and Transformation in Popular Music Performance |
| Susan Fast (McMaster University) | Chair | |
| Robert Bowman (York University) | On
the One: Parliament/Funkadelic, the Mothership and Transformation |
|
| Robert
Walser (University of California at Los Angeles) |
Qualities of Motion in Popular Music | |
| Susan Fast | Liminality
and Transformation
in Stadium Rock:
the Case of U2's Popmart |
|
| Catherine Graham (McMaster University) | Respondent | |
| IASPM 2 (Conf. G-80) | Music
and the Digital Media (roundtable discussion) |
|
| Roger Johnson (Ramapo State College) | Moderator Digital Distance Education by the U.S. Copyright Office? |
|
| Paul
Friedlander (California State University, Chico) |
||
| E.
Michael Harrington (Belmont University, Nashville) |
||
| Steve Jones (University of Illinois, Chicago) | ||
| David Mash (Berklee College of Music) | ||
|
2:00 - 3:30 p.m. |
IASPM 3 (York-68) | I’ll
Take a Beat and I’ll Flip It: Understanding Digital Sampling in Hip-Hop |
| David Sanjek (BMI) | Chair | |
| Ryan Snyder (University of Michigan) | "Just
a way for my music to keep living": Hip-hop sampling as creative cooperation |
|
| Joe Schloss (University Of Washington) | "Synthetic
Substitution": Breakbeat Compilations and the Ethics of Hip-Hop Sampling |
|
| Oliver Wang (University of California, Berkeley) | Pop Will Eat Itself: The Serendipity of Sampling | |
|
3:45-5:15 p.m. |
IASPM 3 (York-68) | Re-Make, Re-Model, Reinventing the Popular |
| David Brackett (SUNY Binghamton) | Chair | |
| Ivan Raykoff (University of California, San Diego) | "Killing Me Softly" (Un)Covered: Sexual/Textual Violations | |
| Ken McLeod (McMaster University) | A
Night on Disco Mountain: Disco, Classical Music, and the Politics of Inclusion |
|
| Theo Cateforis (College of William and Mary) | Devo, "Satisfaction" and the Impact of Parody | |
|
5-7 p.m. |
IASPM-US/Canada (S-Conf. B/C) | Reception |
For
the complete schedule including the programs
of all 15 cooperating organisations,
go:
|
For more information on |
This page was updated on
28-October-2000
by Heinz-Peter Katlewski
