Browse Title Index


 
Scheduled Conference Title
 
Situating Popular Musics 33 1/3 revolutions per minute: Isaac Hayes’ Hot buttered soul and the myth of the black consumer Abstract
Rob Bowman
 
Situating Popular Musics A blend of traditional and popular musical forms: The issue of nationalism and commercialism in Korea Abstract
inhwa so
 
Situating Popular Musics An introduction to the concept of the "national-popular" through the songs of Chico Buarque and Caetano Veloso Abstract
Daniela Vieira dos Santos
 
Situating Popular Musics Atlantic flows: Brazilian connections to Cape Verdean popular music Abstract
Juliana Braz Dias
 
Situating Popular Musics Becoming Audible! Asylum seekers, participatory action research and cultural encounters Abstract
Helmi Inkeri Järviluoma, Taru Leppänen
 
Situating Popular Musics Blackness transmuted and sinified by way of rap music and hip-hop in the new China Abstract
Lee William Watkins
 
Situating Popular Musics Challenges facing musical engagement and taste in digitality Abstract
Melissa Avdeeff
 
Situating Popular Musics Clandestine recordings: The use of the cassette in the music of the political resistance during the dictatorship (Chile, 1973-1989) Abstract
Laura Jordan Gonzalez
 
Situating Popular Musics (Dis)placing musical memory: Trailing the acid in electronic dance music Abstract
Hillegonda C Rietveld
 
Situating Popular Musics Dubstep: Dub plate culture in the age of digital DJ-ing Abstract
Hillegonda C Rietveld
 
Situating Popular Musics Editorial note Abstract
Ed Montano, Carlo Nardi
 
Situating Popular Musics Entertainment tourism: Musicals at the Stratford Festival in Canada Abstract
Lauren Acton
 
Situating Popular Musics Experiencing electronic dance floors Abstract
Botond Vitos
 
Situating Popular Musics Front cover Abstract
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Situating Popular Musics Front matter Abstract
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Situating Popular Musics Happy campers: The Topp Twins, queerness and New Zealand identity Abstract
Matthew Bannister
 
Situating Popular Musics Hearing loss: Theoretical absence and visual bullying Abstract
Mark Evans, Bruce Johnson
 
Situating Popular Musics Hugh Tracey, authenticity and (African) popular music Abstract
Paulette June Coetzee
 
Situating Popular Musics Intercultural reception as manifested in popular music Abstract
Kalina Zahova
 
Situating Popular Musics Jazz, space and power in apartheid South Africa: The army and the church Abstract
Nishlyn Ramanna
 
Situating Popular Musics "Let them go and listen for themselves": The rise and rise of the citizen critic Abstract
Beatrice Jetto
 
Situating Popular Musics Live music as ideology Abstract
Martin Cloonan
 
Situating Popular Musics Local is lekker? The perceptions of South African music among Durban adolescents Abstract
Sarah Ralfe
 
Situating Popular Musics Music, the word and the world; or the banality of (South African) classification Abstract
Christopher Ballantine
 
Situating Popular Musics My first compact cassette: Home taping and music consumption in 1970s Finland Abstract
Heikki Uimonen
 
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