The History of European Jazz

The History of European Jazz
Edited by Francesco Martinelli
Series: Popular Music History edited by Alyn Shipton

HB 9781781794463 £195
e-PDF 9781781796078 £195
752pp, 80 photos and 1 map

Pre-order quoting the code JAZZ from the book page of the Equinox website to receive 25% off:

The History of European Jazz; The Music, Musicians and Audience in Context; Francesco Martinelli


This offer is valid until 15 September 2018 only.

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Music, digitalisation and democracy (cfp)

Music, digitalisation and democracy
Study day at Åbo Akademi University, December 14, 2018
Organised by Dept of Musicology at Åbo Akademi University, the research project
“Digitaliseringens inverkan på minoritetsmusik” (DIMM) and IASPM Norden

Call for Papers

On Friday, December 14, 2018, the Department of Musicology at Åbo Akademi University
and the research project “Digitaliseringens inverkan på minoritetsmusik” (DIMM – “The
Impact of Digitalisation on Minority Music”) will host a study day at Åbo Akademi University
in Turku, Finland.

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6th Global Reggae Conference – Reggae Innovation and Sound System Culture II

6th Global Reggae Conference – Reggae Innovation and Sound System Culture II
February 13-16, 2019, UNIVERSITY OF THE WEST INDIES, MONA CAMPUS

The University of the West Indies and Birmingham City University are delighted to announce the staging of the 6th Global Reggae Conference under the theme Reggae Innovation and Sound System Culture II. Hosted as a premier biennial event by the Institute of Caribbean Studies and the Reggae Studies Unit inside Jamaica’s Reggae Month, this conference will engage academics within a wide field of scholastic orientations and practice. This event comes as part of larger project on music and cultural innovation and black popular culture through which both Universities have engaged in a partnership to expand scholarship and outreach through community engagement, experimentation, archive building, exhibitions, among others.

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Balancing The Mix: A Conference on Popular Music and Social Justice

Balancing The Mix: A Conference on Popular Music and Social Justice
University of Memphis, 30 March 2019

The history of post-war popular music has been closely associated with concerns for social justice. It is not only that particular ideals (equality, community, rights, an end to oppression and discrimination) have animated the public sphere; it is also that those ideals have – whether we look at blues, gospel, world music, punk or hip-hop, for instance – been central in many music genres. This is no surprize, insofar as post-war popular music has developed in parallel with the rise of humanism, the postcolonial era, civil rights, the culture wars, and the rise of identity politics. In that sense, and more, music has been political, and further politicized: employed as an opportunity to establish empathy, express solidarity, and mobilize agents of change. Issues of social justice have in turn influenced public decisions about, for example, music funding, heritage and archiving. For this conference, we invite papers (or panels) based on topics related to popular music and social justice in the widest sense. These may include:

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EC announcement about travel grants to Canberra 2019

In preparation for the XX Biennial IASPM Conference, which will take place in Canberra, Australia, 24-28 June 2019, and in view of the high cost of flights from practically all continents to Australia, the Executive Committee would like to make the following announcements:

1. Unless we must face unforeseeable expenses next year, the Executive Committee considers that IASPM is in a position to invest a substantial amount of money in travel grants, probably not less than 25,000 USD, so that a significant number of low income members are able to attend the Canberra conference.

2. Since the criteria applied for travel grants to attend the Kassel conference were discussed during the General Assembly, but not amended, we intend to maintain them. Therefore, the criteria for eligibility will be: 1) membership up to date 2) at least one year of seniority (in this case, being a member at least since 2018) 3) proof of insufficient funding. The scoring will depend on: 1) geographical distance (we will decide a scale in due time), 2) IASPM responsibilities at branch or international level, and 3) attendance of local and international IASPM events. Having been awarded a travel grant in previous years will detract points.

3. If grantees purchase their flights before a certain date, which will be announced in due time, they will be able to receive up to the 50% of their grants before the conference. The rest of the grant would be paid during the conference, as usual. This will be accorded upon request only, and it will be available for unwaged members only.

4. We intend to open the application period for travel grants shortly after the Academic Committee has reviewed all the abstracts and letters of acceptance have been sent out. The results of the application process will be announced as early as possible, so that grantees can book their flights at better prices.

5. Finally, we would like to thank all branches that have updated their membership lists and paid their fees promptly, and urge the rest to do it as soon as possible, or contact the Membership Secretary or the Treasurer (iaspminternational@gmail.com) if they are not able to do so. As you can imagine, prompt payment will be especially welcome next year.

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Balancing The Mix: A Conference on Popular Music and Social Justice

Call for Papers:

Balancing The Mix: A Conference on Popular Music and Social Justice
University of Memphis, 30 March 2019

The history of post-war popular music has been closely associated with concerns for social justice. It is not only that particular ideals (equality, community, rights, an end to oppression and discrimination) have animated the public sphere; it is also that those ideals have – whether we look at blues, gospel, world music, punk or hip-hop, for instance – been central in many music genres. This is no surprize, insofar as post-war popular music has developed in parallel with the rise of humanism, the postcolonial era, civil rights, the culture wars, and the rise of identity politics. In that sense, and more, music has been political, and further politicized: employed as an opportunity to establish empathy, express solidarity, and mobilize agents of change. Issues of social justice have in turn influenced public decisions about, for example, music funding, heritage and archiving. For this conference, we invite papers (or panels) based on topics related to popular music and social justice in the widest sense.

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IASPM-US 2019 call for papers

The International Association for the Study of Popular Music-United States chapter invites proposals for its 2019 conference. The meeting, which will take place in New Orleans, Louisiana, March 7-10, 2019, will feature the theme “Musical Cities: Music, Historiography, and Myth.” We welcome proposals for individual papers and panels (up to four individuals) on any aspect of popular music, especially proposals on the musical cultures of New Orleans; music in and of the global and local South; and music and race and resistance.

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CFP IASPM Journal Special Issue: Pop Music Festivals and (Cultural) Policies

Call for papers: Special Issue: Pop music festivals and (cultural) policies
Guest editors: Beate Flath, Martin Cloonan and Adam Behr
Deadline for submitting abstracts: 31 August 2018
Deadline for submitting full papers: 14 January 2019

The full CFP can also be found on our website:
http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/905/pdf_1

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