IASPM-US 2020 Conference: “BPM: Bodies, Places, Movements”
May 21-23, 2020
Ann Arbor, Michigan
The International Association for the Study of Popular Music-United States chapter (IASPM-US) invites proposals for its annual conference, which will take place in Ann Arbor at the University of Michigan on May 21-23, 2020. We welcome abstracts on all aspects of popular music, broadly defined, from any discipline or profession, and especially encourage submissions on the many rich popular music histories of Michigan, Ann Arbor, and Detroit.
Riffs: Call for Proposals
’Technology is something I love and hate at the same time. One one hand the absence of any kind of technology means silence (or an environment of natural sounds which we hear much clearer because of the general silence); on the other hand, you need technology to make art’.
Christina Kubisch, ‘Artists’ Statements II: Christina Kubisch’, in The Cambridge Companion to Electronic Music, ed. by Nick Collins and Julio d’Escriván, 2nd edn (Cambridge. Cambridge University Press, 2017:176)
International Summit on Gender, Sexuality, and Equity in Grove Music Online
University of Guelph (Canada)
May 29, 30, and 31, 2020
In the fall of 2019, Grove Music Online (GMO) will launch a comprehensive revision and expansion of its content relating to gender and sexuality. While its focus is on gender and sexuality, this endeavor presents an opportunity for all fields of music and sound scholarship— performance, education, composition, ethnomusicology, musicology, library science, music theory, and music therapy—to take an intersectional approach to addressing equity and inclusion of all kinds in print and digital reference documents (encyclopedias, dictionaries, indexes, educational materials, source books, score anthologies, museum exhibits, and so on). To that end, in collaboration with scholarly and community partners, the University of Guelph will hold a summit from May 29-31, 2020.
I’ve had a few slots open up for contributions to an edited collection on geographically isolated and peripheral music scenes. I’m particularly interested in bringing in diverse perspectives beyond the UK/ North America and Australia/ NZ dialogues I currently have, and am particularly keen to provide this opportunity to female academics.
Please see below, and if you are interested please send your abstract to email@example.com by Wednesday August 21, 2019. Full chapters will be due October 31st, 2019.
Announcement and Call for Contributions: 1. International Artistic Jazz Research Symposium
In partnership with
Institute for Jazz Research, University of Music and Performing Arts Graz
Jam Music Lab Private University for Jazz and Popular Music Vienna
Date: 6 October, 2019
Venue: Jam Music Lab Private University Vienna, Guglgasse 8, Gasometer B, 1110 Vienna
Submission Deadline: 19 August 2019
Imperfection as an Aesthetic Idea in Music: Perspectives from Musicology and Artistic Research
Venue: University for Music and the Performing Arts, Graz, Austria (Kunstuniversität Graz)
Dates: May 6 and 7th, 2020
Submission Deadline: 15 October 2019
Languages: English and German
Keynote Speaker: Prof. Seth Brodsky (University of Chicago)
Web address: https://musikaesthetik.kug.ac.at/institut-14-musikaesthetik/symposien/imperfection-as-an-aesthetic-idea-in-music.html
Call for Papers:
Groove the City 2020 –
Constructing and Deconstructing Urban Spaces through Music conference
Feb. 13th to 15th 2020 at the Leuphana University of Lüneburg, Germany.
We are looking for papers that transgress the boundaries between our notions of music and space. We are explicitly following Henri Lefèbvre’s (1991) concept of a dialectics of triplicity and Edward Soja’s (2008) trialectic of spatiality. A first level encompasses material, physical, and social spaces of music and the mutuality of sound–music and space–architecture from historical, social, economic and cultural perspectives. A second level focusses on the mutuality of music and symbolic aspects of space such as images, brands, and imaginaries. While the third level should open up an
arena of powerful mediations between music–sound and spatial politics, whether this results in the appropriation of the city by music or the appropriation of music by the city.
JAZZ ON THE TELLY
A one-day conference
Birmingham City University, City Centre Campus (B4 7BD)
Saturday 12 October 2019, 10.00-16.00
Birmingham City University is pleased to announce Jazz on the Telly, a conference to be held on 12 October 2019. This event will mark the conclusion of the AHRC-funded project, Jazz on BBC-TV 1960-1969, part of an ECR Research Leadership Fellowship awarded to Dr Nicolas Pillai The day will include: a reflection on the achievement and challenges of the project from Pillai, an industry panel on the future of jazz television, a strategy meeting for delegates on the formation of a Jazz and Media network and the launch of two publications: the first academic special issue on the subject of jazz television (Jazz Research Journal 12: 1) and a report entitled Reconstructing Television History: the case of Jazz 625.
The intention of the conference is to gather academics, musicians and industry professionals working on jazz television and television history more generally so that we may share current work and create collaborative opportunities for the future.
Delegates will be invited to deliver a 10-min presentation (including clips) detailing their current work. The conference will be free to attend and refreshments will be provided throughout the day.
Please book your ticket here.
Call for Papers
British Forum for Ethnomusicology Annual Conference 2020
16-19 April 2020
Bath Spa University, Newton Park, Bath, UK
Keynote speaker: Dr Angela Impey (SOAS, University of London)
As with all BFE Annual Conferences we welcome papers and panels on any aspect of current ethnomusicological research.
The 2020 theme will be Music, Culture and Nature.
Full programme now available for “Diva: Hip-Hop, Feminism, Fierceness” at the University of Wolverhampton, 17 July: diva symposium