cfp: London Calling (IASPM UK)

15th IASPM UK and Ireland Biennial Conference: London Calling
London College of Music, University of West London, 3rd – 5th September 2020

In 1992, Allan Moore hosted the 2nd IASPM UK & Ireland conference at the Polytechnic of West London. 28 years later the conference returns to the same building – now the University of West London. As one of the key focal points of 20th and 21st century popular music practice, London has not only projected its musical voices all over the world but has also been a hub for incoming influences that have stimulated a rich and vast array of new musical cultures. The 2020 IASPM UK & Ireland conference seeks to use this amazing heritage to provoke discussion about this and many other subjects. In addition, we are aiming to continue the recent trend for weaving popular music practice and music business and management into the IASPM tapestry. And this practice-based specialism harks back to another key figure in the academic world of music, Christopher Small, who also taught in the same building until 1986 and who coined the term musicking.

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cfp: IASPM Benelux Conference

University of Antwerp, Belgium, 14 – 16 May 2020

RE-peat, please!

According to the online Cambridge Dictionary, the prefix ‘re-’ stands for “do again” or “returning something to its original state”.

These two letters can be used in various combinations, many of which relate to core issues of pop, rock, jazz, hip-hop, dance, and many other genres.

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cfp: The 7th Inter-Asia Popular Music Studies (IAPMS) Conference Kuala Lumpur, Malaysia

The 7th Inter-Asia Popular Music Studies (IAPMS) Conference Kuala Lumpur, Malaysia

23-25 July, 2020

Organised by Inter-Asia Popular Music Studies Group (IAPMS Group)

Hosted by

Sunway University, Kuala Lumpur, Malaysia

Abstract Submissions Deadline

15 December 2019

Theme: Asia’s Sonic (under)Currents and Currencies

The recent international popularity of Korean pop groups BTS and Blackpink placed Asia from passive recipients to active participants of otherwise US and UK dominated global pop music. However, the extent in which they represent and personify the rich undercurrent of popular music circulation in Asia remains debatable in Asia’s culturally diverse landscapes. While the digital platform and social media as well as travel have intensified the flows of popular music participation, it is probably premature to idealistically suggest the levelling of more enduring historical and cultural boundaries and borders. The post•global or post•digital condition needs discussion.

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cfp: MUSIC & THE MOVING IMAGE CONFERENCE XVI

CALL FOR PAPERS 2020

MUSIC & THE MOVING IMAGE CONFERENCE XVI

Conference at NYU Steinhardt: Friday May 29th – Sunday May 31st

The annual Music and the Moving Image Conference encourages submissions from scholars and practitioners that explore the relationship between the entire universe of moving images (film, television, video games, iPhone, computer, and live performances) and that of music and sound through paper presentations. We encourage submissions from multidisciplinary teams that have been pooling their knowledge to solve problems or come up with a new perspective regarding music and moving images. 

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IASPM Journal Vol 9, No 1: Pop Music Festivals and (Cultural) Policies

Dear IASPM members, 

I am happy to announce the publication of the new IASPM Journal special issue on „Pop Music Festivals and (Cultural) Policies“, guest edited by Beate Flath, Adam Behr and Martin Cloonan.  

You can find it here: https://iaspmjournal.net/index.php/IASPM_Journal/issue/view/67

Many thanks to the authors, the reviewers and the editorial team!

On behalf of the special issue editors 

Beate Flath 

Director of Popular Music Program – School of Music

Herberger Institute for Design and the Arts at Arizona State University

The School of Music in the Herberger Institute for Design and the Arts at Arizona State University seeks a dynamic leader of outstanding reputation to serve as Director of the Popular Music program. This is a full-time appointment, appointment type and rank based on experience, beginning fall 2020.

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cfp: Popular Music, Decolonization and Indigenous Studies (IASPM Journal)

CALL FOR PAPERS

Special Issue: Popular Music, Decolonization and Indigenous Studies

Editors: Daniel Hernandez and Kirsten Zemke

IASPM Journal is the peer-reviewed open-access e-journal of the International Association for the Study of Popular Music, IASPM. As part of an international network, the journal aims to publish research and analysis in the field of popular music studies at both global and local levels.

This Special Issue seeks to confront the Western tradition of academia, which has only been made possible through historic and ongoing processes and ideologies of colonialism. This includes the paradox that many academic scholars and institutions are housed on stolen lands. This Special Issue of IASPM Journal aims to contribute to an ongoing process of decolonization through the lens and practices of popular music by highlighting Indigenous academics, theorists and musical explorations.

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cfp: What does Democracy Sound Like?

What does Democracy Sound Like?

Music and Political Democratisation in Late Twentieth Century

18-19 June 2020

University of Huddersfield

https://musicdemocracystudydays.wordpress.com/cfp-study-days-2020/

Convened by Igor Contreras Zubillaga (British Academy Postdoctoral Fellow, University of Huddersfield) and Robert Adlington (University of Huddersfield)

Keynote speaker: Marina Frolova-Walker (University of Cambridge)

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