The IASPM Executive Committee from 2011 through to 2013 is:
- Chair: Martha Tupinambá de Ulhôa (Brazil)
…is Professor of Musicology at Universidade Federal do Estado do Rio de Janeiro (UNIRIO) and Researcher of the Brazilian National Research Council (CNPq). Some of her texts in Portuguese are posted at http://www.unirio.br/mpb/ulhoatextos.
- General Secretary: Carlo Nardi (Italy/South Africa)
…is visiting lecturer in Sociology at Rhodes University.
- Treasurer: Violeta Mayer (UK/Chile)
…grew up in her home country Chile and moved to Liverpool in 2002 after a short stay in the USA. She read for her BA in Classical and Popular Music Studies at the University of Liverpool, UK where she recently completed her PhD on the musical practices in Chile during the military dictatorship (1973-1990). At present, she works as a financial auditor whilst she completes her chartered accountant training.
- Membership Secretary: Laura Francisca Jordán González (Canada/Chile)
…is a Chilean Musicologist, having obtained her MA in Montréal in 2010. She currently resides in Canada where she is pursuing her PhD studies at Université Laval. Her areas of research include popular music in Latin America, especially music in exile, the relation between music and politics, and the role of voice in popular music.
- Web/Publications: Ed Montano (Australia-New Zealand)
…is a lecturer in Music Industry at RMIT University, Melbourne. His research explores electronic dance music, DJing and club culture in Australia.
- Member at Large: Héctor Fouce (Spain)
…teaches Communications and Semiotics in the Universidad Complutense de Madrid and Popular Music in the Universitat Oberta de Catalunya (UOC). He has been a music journalist for more than a decade. Also, he has been the curator of several exhibitions about popular music. Personal website: fouce.net
- Member at Large: Sara Jansson (Sweden)
…is a PhD student in Musicology at the Department of Cultural Sciences, University of Gothenburg. Thesis subject is on music technology (primarily sound-reproduction technology) and gender in Sweden, 1925-2010, with an emphasis on hi-fi enthusiasts and record collectors.
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