Deadline postponed, information on program / CFP IASPM-Norden conference 2020: Music in the Age of Streaming – Nordic Perspectives, Piteå, Sweden, 15–17 June 2020

IASPM-Norden conference 2020

Music in the Age of Streaming – Nordic Perspectives

IASPM-NORDEN CONFERENCE

PITEÅ, SWEDEN, 15–17 JUNE 2020

The IASPM-Norden conference aims to shed light on various aspects of streaming of/in popular music within the Nordic context. Nordic popular music is a dynamic field comprising a great variety of artists, music producers and entrepreneurs on both ends of the cultural spectrum, from commercially successful to less known and underground. More broadly, listening to popular music has become an evermore accessible activity in people’s everyday life, and so have the “streams” of music flowing across many borders – geographical, ideological, socioeconomic, cultural, disciplinary, etc. In addition to the everyday distribution and listening of music through digital networks, we contend specifically that “streaming” may also be used to conceptualize musical cultures beyond the scope of Spotify or other streaming services. That said, even an analysis of a platform like Spotify may benefit from an approach that investigates the deeper currents and flows of its streams, as pursued by Spotify Teardown (Eriksson et al. 2019) recently. With this conference we wish to engage with the many intersections of musical streams and invite papers that highlight the ways in which “streaming” characterize music and musical cultures.

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Media and the Night: An International Conference

April 29 and 30, 2020

McGill University, Montreal

Organized by

Jhessica Reia, Mellon Postdoctoral Fellow, Department of Art History and Communication Studies, McGill University

Will Straw, James McGill Professor of Urban Media Studies, Department of Art History and Communication Studies, McGill University

Over the last decade, the study of the night has emerged as an international, interdisciplinary field of scholarly research. Historians, archaeologists, geographers, urbanists, economists and scholars of culture and literature have analyzed the night time of communities large and small, across a wide range of historical periods. The study of the night has expanded in tandem with new attention to the night on the part of city administrations, organizers of cultural events (like nuits blanches and museum nights) and activists fighting gentrification, systems of control and practices of harassment and exclusion which limit the “right to the night” of various populations. 

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PCA Canada (Pop and Politics)

Pop and Politics:

State of the Field/State of the World

Annual Conference of the Popular Culture Association of Canada

Concordia University, Montreal, QC, May 7-9, 2020

After a one-year hiatus, the annual conference of the Popular Culture Association of Canada is back and looking forward—as well as up, left, right, down, and back. For our 9th annual conference, which will take place at Concordia University in Montreal, QC from May 7th-9th, 2020, we’re reflecting on the state of our field by inviting discussion on the relationship between popular culture and politics, broadly conceived.

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Sound / Music / Decoloniality: A Research Colloquium

Maynooth University Arts & Humanities Institute

24-25 March 2020

Keynote Speakers:

Professor Rachel Harris (SOAS)

Dr Thomas Irvine (Southampton)

It is well understood that sound and music operate as media of governance in various historical and contemporary colonial matrices of power. As such, they have been central not only to processes of territorial colonization, but also to cognitive and behavioural colonization. Indeed, efforts to displace or ‘write over’ other soundscapes and to delegitimize and render mute other forms of knowledge production, other aural/musical epistemes, are integral to colonial and imperial processes of epistemicide.

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cfp: Big Sounds from Small Places (IASPM Canada)

Big Sounds from Small Places

IASPM Canada Annual Conference 2020 Call For Papers

Cape Breton University: Sydney, Nova Scotia

12 – 14 June 2020

Submission Deadline15 December 2019

As we enter into a new decade it’s apt to question our place in the world. Almost sixty years ago, Marshall McLuhan notably coined the term Global Village to refer to the global spread of media content and consumption, and yet Canada still struggles with its position in the world as an imposing landmass with a relatively small population, and how that influences where and how its cultural texts are encountered. This conference seeks to address the concept of voice and sound as tied to space and place, in the broadest sense. In regards to popular music in Canada, we have established a strong identity, but one that is often defined in opposition to our more vocal neighbours to the South. As we continuously define and redefine Canadian cultural identity, and cultural outputs, this conference questions how our musical landscape has historically adapted, and will continue to adapt, to an increasingly globalized environment.

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cfp: London Calling (IASPM UK)

15th IASPM UK and Ireland Biennial Conference: London Calling
London College of Music, University of West London, 3rd – 5th September 2020

In 1992, Allan Moore hosted the 2nd IASPM UK & Ireland conference at the Polytechnic of West London. 28 years later the conference returns to the same building – now the University of West London. As one of the key focal points of 20th and 21st century popular music practice, London has not only projected its musical voices all over the world but has also been a hub for incoming influences that have stimulated a rich and vast array of new musical cultures. The 2020 IASPM UK & Ireland conference seeks to use this amazing heritage to provoke discussion about this and many other subjects. In addition, we are aiming to continue the recent trend for weaving popular music practice and music business and management into the IASPM tapestry. And this practice-based specialism harks back to another key figure in the academic world of music, Christopher Small, who also taught in the same building until 1986 and who coined the term musicking.

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cfp: IASPM Benelux Conference

University of Antwerp, Belgium, 14 – 16 May 2020

RE-peat, please!

According to the online Cambridge Dictionary, the prefix ‘re-’ stands for “do again” or “returning something to its original state”.

These two letters can be used in various combinations, many of which relate to core issues of pop, rock, jazz, hip-hop, dance, and many other genres.

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