CFP: IASPM ANZ 2018 Annual Conference Hamilton NZ, Dec 3-5
EXTENDED DEADLINE – The deadline to submit abstracts to the IASMP-ANZ conference, “Playing Along: Music, Participation and Everyday Life,” to take place 3-5 December, 2018 at the Waikato Institute of Technology (Wintec), Hamilton, NZ, has been extended. The new deadline is 1st July 2018. Please send submissions to email@example.com.
“Playing Along”: Music, Participation, and Everyday Life
Waikato Institute of Technology (Wintec)
Hamilton, Aotearoa/New Zealand
Call for Papers
The Present and Future of Electronic Music
University of Central Lancashire, 14 November 2018
Electronic music was once seen as the future of music. Is this still the case? Is the very term ‘electronic music’ useful in industrial and academic context? And if so, what differentiates today’s electronic music from non-electronic music and are these differences between these two types of musics likely to remain in future?
The Present and Future of Electronic Music seeks to answer some of these questions or at least help to clarify their meanings. We hope to bring together insights and ideas from a range of disciplines in music studies, including musicology, composition, performance, cultural theory, computing and philosophy, as well as industry, to examine the evolving field of electronic music.
Call for Papers: Topographies of Sound
Muscle Shoals, Alabama, November 12-13, 2018
Muscle Shoals Sound Studio & Marriott Shoals Hotel & Spa
This two-day symposium in Muscle Shoals, Alabama welcomes papers on the significance of landscape and geographical location for a range of American musical forms and their sonic architecture. In The United States alone, instances of this interrelation are legion, signaled for instance in genre monikers such as “Memphis Soul,” “Appalachian Folk,” “The Bakersfield Sound,” “The Paisley Underground,” and “Southern Rock.” Many are also the place names that immediately suggest the flavor of a particular sound: Laurel Canyon, Seattle, Woodstock, Harvard Square, and Music Row, to name just a few. On a more general level, entire regions have been invoked to describe the sonic texture of genres such as “desert rock” or “delta blues.”
Turns and Revolutions in Popular Music Studies
XX Biennial IASPM Conference
School of Music, The Australian National University
Canberra, Australia, 24–28 June 2019
Call for Presentations
A growing proportion of our cultural heritage is in the form of sound and moving image recordings. If you are concerned with the use, collection, or preservation of sound and audiovisual collections, please consider submitting a proposal and joining us in Accra, Ghana.
Call for Presentations:
49th Annual Conference of IASA, from 1-4 October 2018, at the Institute of African Studies (IAS), University of Ghana, Accra, Ghana.
Access and Accessibility – Archival Policies and Barriers in the Age of Global Information Exchange
CFP: EUPOP 2018
Charles University, Prague, July 24th – 26th, 2018
Deadline: February 27th 2018
Individual paper and panel contributions are welcomed for the seventh annual international conference of the European Popular Culture Association (EPCA), to be held at the Charles University, Prague (Celetná 20), July 24th – 26th, 2018.
An International Conference on Serge Gainsbourg
9–10 April 2018
The 22nd annual symposium for music scholars in Finland will be organized at the University of Helsinki, March 7 to 9, 2018. The theme of the symposium is: “Applied Ethno/Musicology and the Applicability of Music Studies.” Please see the homepage for details: http://blogs.helsinki.fi/mtsymposium2018/in-english/
DISCO! An Interdisciplinary Conference
University of Sussex
21-23 June 2018
Call for Papers
Technologies of singing. Investigations of the dispositive singing – body – media at the dawn of sound recording
International and interdisciplinary conference November 2-4, 2018 at Detmold University of Music