Call for contributions On the back of his published diary (A Year with Swollen Appendices, Faber 1996) Brian Eno describes himself variously as: a mammal, a father, an artist, a celebrity, a pragmatist, a computer- user, an interviewee, and a ‘drifting clarifier’. To this list we might add rock star (on the first two Roxy [...]

[Read more →]

Call for contributions Edited by Simone Krüger (Liverpool John Moores University) and Ruxandra Trandafoiu (Edge Hill University) We are soliciting chapter proposals for an edited collection entitled The Globalization of Musics in Transit: Musical Migration and Tourism to be published by Routledge in 2013 in its Research in Ethnomusicology Series. (Please note that the book [...]

[Read more →]

Call for contributions Popular Music in the Nordic Countries: Music, Identity, and Social Change in the Early 21st Century Editors: Fabian Holt (University of Roskilde, fabianh@ruc.dk) and Antti-Ville Kärjä (University of Turku, avkarj@utu.fi) For the Routledge series World Popular Music, we are hereby making a call for chapter proposals for a volume with the title [...]

[Read more →]

Call for contributions In recent years, the internet in general and social media in particular has fundamentally changed our media culture. The relationship between producers and consumers has shifted, creating new power relationships. Media culture has become more and more about participation, while technological developments such as ‘Facebook liking’ have further blurred the traditional distinction [...]

[Read more →]

Call for contributions Transposition. Musique et sciences sociales nº3 http://transposition-revue.org Queer theory is likely one of the most well-known and controversial recent schools of thought, and its impact has been felt in the academic world and beyond. It appeared in the early 1990s in the United States, as a direct offshoot of LGBT (lesbian, gay, [...]

[Read more →]

Call for Contributions TU Dortmund Institut für Anglistik und Amerikanistik Following last year’s international conference on HipHop in Germany’s Ruhr Area, we are planning to edit a volume that explores hip-hop culture in Europe from a transnational and transatlantic perspective.

[Read more →]

Call for papers Volume ! The French journal of popular music studies Submission deadline: October 15th, 2011 Volume! La Revue des musiques populaires (www.seteun.net), the one and only French peer-reviewed journal exclusively dedicated to the interdisciplinary study of popular music, seeks contributions for a special issue on music and counterculture. Any scholarly essay on popular [...]

[Read more →]

Call for papers Guest editor, Mark Duffett Popular Music and Society invites article proposals for a new special issue. Fandom is both a personal expression of emotional conviction and a complex, changing, multi-faceted social phenomenon that now encompasses both online and offline activity. The study of fandom is a scholarly niche that exists at the [...]

[Read more →]

Listening to popular music: practices, experiences, representations Submission deadline: June 1st, 2011 Volume! a French peer-reviewed journal dedicated to the interdisciplinary study of popular music seeks contributions for a special issue on listening. This issue will explore the premise that a focus on listening can be a fruitful basis for the analysis of popular music, [...]

[Read more →]

Call for contributions Transposition. Musique et sciences sociales. – no 2 Facial expression, physical presence, fashion prowess, vocal intonation, the ways of seduction are numerous and variable. Respecting the codes adopted by the societies and cultures from which it originates, seduction is nevertheless an ‘ordinary social act’ which can be considered as universal. Cecile Dauphin [...]

[Read more →]