International Conference – June 3rd to June 6th 2010
The Interactive Media and Performance (IMP) Labs, along with the Department of Media Production and Studies, and the Faculty of Fine Arts at the University of Regina are pleased to present a call for papers, panels, roundtables, and workshops on the theme of Spaces of Violence, Sites of Resistance: Music, Media and Performance, an international conference organized in collaboration with IASPM-Canada and the Canadian Society for Traditional Music (CSTM). Continue reading
Call for Proposals
October 28-31, 2010
Rectory of the Universidade Nova de Lisboa
The Ethnomusicology Institute – Center for the Study of Music and Dance is pleased to host the international conference ‘Musics and Knowledge in Transit‘ at the Rectory of the Universidade Nova de Lisboa from October 28 to 31, 2010.
The official languages of the conference are: Portuguese, Spanish and English. Continue reading
Call For Papers – Deadline Extended to 30th April 2009
The Fifth Annual Art of Record Production Conference
will be hosted by the Division of Music and Sound,
The Atrium, University of Glamorgan, Cardiff, S. Wales
on November 13th – 15th 2009.
[Steven Epstein, Nate Kunkel, Bob Ludwig, Paul Miller at 2008 ARP Conference]
La nueva canción latinoamericana: A 21st Century View
A Conference Hosted by the University of East Anglia
11th-12th September 2009
Call for Papers
Mi pueblo me hace cantar is a two-day multidisciplinary conference that brings together leading researchers in the field of Latin American music and politics to examine the impact and legacy of the new song movement, throughout Latin America, from a twenty-first century perspective. Continue reading
IPEM – Institute for Psychoacoustics and Electronic Music
Sysmus09 is a conference of students of Systematic Musicology with focus on the ongoing research developed by PhD and advanced Master students from the SysMus discipline and other disciplines engaged in music research. It is a privileged forum to disseminate new research initiatives and create international networks of research. In this second edition we will discuss and explore the potential and problems of the interdisciplinary tasks that challenges all spheres of SysMus and most part of the research in music. Continue reading
The Society for Ethnomusicology
Call for Proposals
The Society for Ethnomusicology will hold its 54th annual meeting on November 19-22, 2009, in Mexico City, hosted by Centro Nacional de Investigación, Documentación e Información Musical Carlos Chavez del Instituto Nacional de los Artes; Escuela Nacional de Música, Universidad Autónoma de México; Escuela Superior de Música, Instituto Nacional de los Artes; Museo Nacional de Culturas Populares de la Dirección General de Culturas Populares; Escuela Nacional de Conservación, Restauración y Museografía of the Instituto Nacional de Antropología; Comisión de los Pueblos Indios; Fonoteca del Centro Nacional de las Artes of the Consejo Nacional para la Cultura y las Artes; and the Secretaría de Cultura del Departamento del Distrito Federal.
IASPM-US 2009 Conference
University of California, San Diego
May 29-31, 2009
San Diego, CA
The deadline for submission of abstracts has been extended to December 22
Borders, boundaries, and frontiers have intersected and interacted with popular music in differing ways, times, and places, and oftentimes these relationships have been particularly resonant in diasporic communities. Taking an open-ended approach to borders and boundaries as types of thresholds and to frontiers as kinds of liminal zones, this conference seeks to explore their significance in popular music in terms of the aesthetics of genre and style, the politics of personal and social identity, and the dynamics of time and place. Potential issues for discussion include technology, media, industry gatekeepers, changing business practices, gender, migration, ethnicity, nationality, language, and changing definitions of music that involve region and era. The program committee of the 2009 conference of IASPM-US invites proposals for papers, panels, or roundtables relating to these ideas and, of course, welcomes proposals on any aspect of popular music. Continue reading
An Interdisciplinary Conference on Music & Copyright
University of Salford, UK February 18-19, 2009
This conference proposes to investigate the current U.S. and U.K. statutes that regulate the protection of sound recordings. It will inquire to what degree those laws secure the rights of both the owners and creators of the music contained on these products as well as determine their impact upon those who consume and comment upon this material. The pending efforts to universalize an extended term of copyright underscore the potential for even more draconian controls upon recorded music. Will the public, creators, and commentators continue to be able to acquire, appreciate and appropriate musical materials? Can some balance be found between the need for profit and the pursuit of pleasure? Is it possible in a civil society for music effectively to be silenced through constraints over its recorded legacy?
The Ministry of Culture of the Dominican Republic, the Eduardo León Jimenes Cultural Center (Centro León) and the Institute of Caribbean Studies (INEC) announce the International Conference “The Bolero in Caribbean Culture and Its Worldwide Circulation,” to be celebrated April 17, 18, and 19, 2009, in the facilities of the Centro León, in Santiago de los Caballeros, Dominican Republic.
This is the third edition of the conference Music, Identity, and Culture in the Caribbean (MIC), which has been declared an “Event of High Cultural Interest” by the Ministry of Culture of the Dominican Republic. Continue reading
Call for Papers
International Association for the Study of Popular Music (IASPM) Canada
Dalhousie University, Halifax
June 12-14, 2009
IASPM-CA is pleased to call for proposals, panels and roundtables for this special interdisciplinary conference on the theme of “Peripheries and Centres.” We also welcome submissions on any aspect of popular music.
We are aiming for as broad a representation of disciplinary and interdisciplinary perspectives as possible and hope for a conference that will provide perspectives on and (re)evaluations of the periphery/centre relationship as it relates to popular music. What changes are affecting the concepts of centre and periphery and related notions like mainstream and fringe, heartland and hinterland, privileged and marginal, mass culture and subculture? How should they be rethought? Is there still a “centre” (generically, geographically, economically, ideologically) in popular music in the 21st century? Continue reading