Brian Eno edited collection‏

Call for contributions

On the back of his published diary (A Year with Swollen Appendices, Faber 1996) Brian Eno describes himself variously as: a mammal, a father, an artist, a celebrity, a pragmatist, a computer- user, an interviewee, and a ‘drifting clarifier’. To this list we might add rock star (on the first two Roxy Music albums); the creator of lastingly influential music (Another Green World; Music for Airports); a trusted producer (for Talking Heads, U2, Coldplay and a host of other artists); the maker of large scale video and installation artworks; a maker of apps and interactive software; and so on, and so on. All in all, he is one of the most feted and most influential musical figures of the past forty years (even though he himself has consistently downplayed his musical abilities, describing himself as an anti-musician on more than one occasion). Continue reading

The Globalization of Musics in Transit: Musical Migration and Tourism

Call for contributions

Edited by Simone Krüger (Liverpool John Moores University) and Ruxandra Trandafoiu (Edge Hill University)

We are soliciting chapter proposals for an edited collection entitled The Globalization of Musics in Transit: Musical Migration and Tourism to be published by Routledge in 2013 in its Research in Ethnomusicology Series. (Please note that the book is contractually agreed.) The book studies musical transformations as they occur across time and space, exploring contemporary concerns about the impact of globalization on musics and peoples as they transit across the globe. The book’s focus is on two main themes: musical tourism and travel; musical migration and diaspora. Continue reading

Routledge Popular Music in the Nordic Region‏

Call for contributions
Popular Music in the Nordic Countries: Music, Identity, and Social Change in the Early 21st Century

Editors: Fabian Holt (University of Roskilde, fabianh@ruc.dk) and Antti-Ville Kärjä (University of Turku, avkarj@utu.fi)

For the Routledge series World Popular Music, we are hereby making a call for chapter proposals for a volume with the title above. The volume will examine the role of popular music in the Nordic countries in the context of contemporary social change. The focus of volume will be to situate popular music in both local and cross-national contexts of the region and to apply and develop new interdisciplinary research perspectives. This call is therefore not only targeted at music studies but also at scholars working on music within anthropology, cultural studies, history, sociology, and media studies. The volume is part of a larger pan-Nordic collaboration and forms the basis for the production of radio and television series as well as museum exhibitions. Continue reading

Ashgate Research Companion to Fan Cultures

Call for contributions

In recent years, the internet in general and social media in particular has fundamentally changed our media culture. The relationship between producers and consumers has shifted, creating new power relationships. Media culture has become more and more about participation, while technological developments such as ‘Facebook liking’ have further blurred the traditional distinction between fans and audiences. Fans represent the vanguard of these new developments. Insights from early fan studies on active audiences have spread to other notions of the audience. These developments call for a critical rethinking of the role and significance of fans in contemporary culture. Continue reading

Music and Queer Theory

Call for contributions
Transposition. Musique et sciences sociales nº3
http://transposition-revue.org

Queer theory is likely one of the most well-known and controversial recent schools of thought, and its impact has been felt in the academic world and beyond. It appeared in the early 1990s in the United States, as a direct offshoot of LGBT (lesbian, gay, bisexual, transgendered) collectives, the work of Foucault (in particular, his History of Sexuality and ideas such as “biopolitics”), and Derrida’s deconstructionism. Continue reading

Music and counter-culture(s): Rock’n’Roll, the Sixties, the US and beyond

Call for papers
Volume ! The French journal of popular music studies
Submission deadline: October 15th, 2011

Volume! La Revue des musiques populaires (www.seteun.net), the one and only French peer-reviewed journal exclusively dedicated to the interdisciplinary study of popular music, seeks contributions for a special issue on music and counterculture. Any scholarly essay on popular music and counterculture, focusing on link to the “central” period of the sixties and seventies, is welcome. Continue reading

Popular Music and Society – Special Issue: Fandom

Call for papers
Guest editor, Mark Duffett

Popular Music and Society invites article proposals for a new special issue. Fandom is both a personal expression of emotional conviction and a complex, changing, multi-faceted social phenomenon that now encompasses both online and offline activity.

Popular Music and Society

The study of fandom is a scholarly niche that exists at the intersection of a wide range of interests and connections. It can be contextualized by wider media research (theory by scholars such as Henry Jenkins and Matt Hills; reception analysis; celebrity studies; ethnography; subcultural theory) and by direct research into popular music culture (ethnomusicology; research on listening; live music audiences; studies of music in everyday life). Continue reading

Volume! La Revue des musiques populaires

Listening to popular music: practices, experiences, representations
Submission deadline: June 1st, 2011

Volume!

Volume! a French peer-reviewed journal dedicated to the interdisciplinary study of popular music seeks contributions for a special issue on listening. This issue will explore the premise that a focus on listening can be a fruitful basis for the analysis of popular music, one that can enrich our understanding of aesthetic relationships and signifying practices. Any scholarly essay on popular music and its listeners or how it is listened to is welcome. Continue reading

Musical seductions

Call for contributions
Transposition. Musique et sciences sociales. – no 2

Facial expression, physical presence, fashion prowess, vocal intonation, the ways of seduction are numerous and variable. Respecting the codes adopted by the societies and cultures from which it originates, seduction is nevertheless an ‘ordinary social act’ which can be considered as universal.

transposition

Cecile Dauphin and Arlette Farge present it as ‘one of the nodal points of social architecture’, a reality from which no society or era has escaped. [cf. Dauphin, C. et Farge, A. (éd.), Séduction et sociétés. Approches historiques. Paris : Seuil. 2001]. Recently brought on the agenda by social sciences studies, the privileged relationships that seduction maintains with music will be at the core of the present issue. Continue reading