Anarcho-Punk Anthology

Call for submissions
Anarcho-Punk Anthology

Mike Dines is seeking contributions from the wide spectrum of musicology and social sciences for an edited text on the anarcho-punk scene of the 1980s that will reflect upon its origins, its music(s), its identity, its legacy, its membership and circulation. Seven years ago, I was awarded my PhD for my research into the emergence of the anarcho-punk scene and, to my surprise, there are still no academic texts that fully unpack this fascinating movement and its politics. As such, I would like to put out a call for proposals in the hope that we might rectify this omission: and thus raising questions as to how we can define aesthetically, culturally, politically and ideologically the concept and meaning of the anarcho-punk scene. Continue reading

Music and Armed Conflicts After 1945

Call for submissions
Transposition. Musique et sciences sociales nº 4
Music and armed conflicts after 1945

Coordination : Luis VELASCO PUFLEAU

The role of music to contest, legitimize, comment, pacify or intensify contemporary armed conflicts has so far received little attention by musicological research – compared to the numerous existing studies on the two World Wars. To engage an interdisciplinary reflection on this issue, mobilizing tools of musical analysis, political sociology, social history, geopolitics and anthropology, the fourth issue of Transposition. Musique et sciences sociales will focus on the relationship between music and armed conflicts in the second part of the twentieth century: decolonization wars, civil wars in Africa, Latin America and Asia, Israeli-Palestinian conflict, wars in Korea, Vietnam, Falklands, Kosovo, Lebanon, Afghanistan, Iraq, Chechnya, Libya, etc. Continue reading

El oído pensante

Call for submissions
El oído pensante

El oído pensante invites the submission of articles for the first volume (2013) (ISSN 2250-7116).

The aim of this biannual peer-reviewed online journal of free access is to promote debate on theoretical, methodological and epistemological dilemmas faced by different kinds of music research. Continue reading

The Future(s) of Music?

Call for submissions
Norient Academic Online Journal
The Future(s) of Music? – Notions of Prospective Musics in Utopian Movies and Literature

The famous Cantina Band scene from George Lucas’ Star Wars, featuring an alien ensemble performing a foxtrot-like John Williams composition, is just one of many examples: While film scores often have provided an experimental ground for musical innovators – just think of the trendsetting sound creations Oskar Sala and Bernard Herrmann contributed to the late films by Alfred Hitchcock – diegetic depictions of musical performances, i.e. those scenes in films where the production or consumption of music is part of the story, often draw on known musical idioms when the dramatic setting is explicitly utopian. The paradox here is that there seems to be a decisive difference between composing innovative film scores on the one hand and imagining, picturing and sounding-out “the music of the future” on the other. Or, is it futures? Continue reading

Nostalgias: A Special Issue of Volume! The French Journal of Popular Music Studies

Call for submissions
Nostalgias: A special issue of Volume! The French Journal of Popular Music Studies
Edited by Hugh Dauncey (Newcastle University) & Christopher Tinker (Heriot-Watt University)

Volume!, the French peer-reviewed journal dedicated to the interdisciplinary study of popular music, seeks contributions for a special issue on nostalgia and popular music in a variety of national, international and transnational contexts. Continue reading

Death and the Rock Star‏

Call for chapters
Death and the Rock Star
Deadline for proposals: 15 July 2012

The recent untimely deaths of Amy Winehouse and Whitney Houston, and the resurrection of Tupac Shakur for a performance at the Coachella music festival, have focused the media spotlight, yet again, on the relationship between rock, popular music and death. The ‘sex, drugs and rock ‘n’ roll’ lifestyle has left many casualties in its wake. Over time, however, as the ranks of dead musicians have grown, so the types of death involved and the reactions to them have diversified. Conversely, as the artists who were at the forefront of the rock ‘n’ roll revolution of the 1950s and 1960s continue to age, the idea of dying young and leaving a beautiful corpse (which gave rise, for instance, to the myth of the ’27 Club’), no longer carries the same resonance that it once might have. Continue reading

Doing Fieldwork in Nightlife Scenes and EDMCs

Call for submissions
Dancecult: Journal of Electronic Dance Music Culture
Doing Fieldwork in Nightlife Scenes and EDMCs
Guest editor: Luis-Manuel Garcia

This special edition of Dancecult seeks to address the fact that, although many EDM (Electronic Dance Music) projects have a significant ethnographic component, there are few methodological resources available to ethnographers of EDM scenes/cultures. Continue reading

Popular Music Studies in the Twenty-First Century‏

Call for submissions
IASPM Journal
November 2012
Popular Music Studies in the Twenty-First Century

It is thirty years since the International Association for the Study of Popular Music (IASPM) was founded and the journal Popular Music was launched. Although much is different today in popular music studies, the field still faces a number of challenges, some of which have changed very little during the intervening period. Continue reading

Race & Ethnicity in Cultural Production‏

Call for submissions
Popular Communication: The International Journal of Media and Culture
Special Issue on Race and Ethnicity in Cultural Production
Editors: David Hesmondhalgh and Anamik Saha

Within media and cultural studies, questions of race and cultural difference in popular culture have tended to be explored through textual analysis, in relation to what Stuart Hall (1988) called “the politics of representation”, in terms of how they either reinforce or challenge essentialist notions of race and ethnic identity. Some of the most important recent interventions in cultural studies however, are those that have gone beyond the text and have focused on the production of culture and identity as constituted in, and by, global transformations (Clarke and Thomas, 2006; Niranjana, 2006). Yet far less attention has been paid to the production and circulation of representations of difference in popular culture. The aim of this special issue of Popular Communication is to address race and ethnicity in terms of how they are experienced in cultural production, in both its everyday and industrial contexts, and in terms of how they influence the production and distribution of cultural goods. Continue reading