Doing Fieldwork in Nightlife Scenes and EDMCs

Call for submissions
Dancecult: Journal of Electronic Dance Music Culture
Doing Fieldwork in Nightlife Scenes and EDMCs
Guest editor: Luis-Manuel Garcia
http://dj.dancecult.net/

This special edition of Dancecult seeks to address the fact that, although many EDM (Electronic Dance Music) projects have a significant ethnographic component, there are few methodological resources available to ethnographers of EDM scenes/cultures. Continue reading

Popular Music Studies in the Twenty-First Century‏

Call for submissions
IASPM Journal
November 2012
Popular Music Studies in the Twenty-First Century

It is thirty years since the International Association for the Study of Popular Music (IASPM) was founded and the journal Popular Music was launched. Although much is different today in popular music studies, the field still faces a number of challenges, some of which have changed very little during the intervening period. Continue reading

Race & Ethnicity in Cultural Production‏

Call for submissions
Popular Communication: The International Journal of Media and Culture
Special Issue on Race and Ethnicity in Cultural Production
Editors: David Hesmondhalgh and Anamik Saha

Within media and cultural studies, questions of race and cultural difference in popular culture have tended to be explored through textual analysis, in relation to what Stuart Hall (1988) called “the politics of representation”, in terms of how they either reinforce or challenge essentialist notions of race and ethnic identity. Some of the most important recent interventions in cultural studies however, are those that have gone beyond the text and have focused on the production of culture and identity as constituted in, and by, global transformations (Clarke and Thomas, 2006; Niranjana, 2006). Yet far less attention has been paid to the production and circulation of representations of difference in popular culture. The aim of this special issue of Popular Communication is to address race and ethnicity in terms of how they are experienced in cultural production, in both its everyday and industrial contexts, and in terms of how they influence the production and distribution of cultural goods. Continue reading

Virtual Bands, Virtual Music

Call for chapters
Virtual Bands, Virtual Music
Deadline for proposals: 31 May 2012

Shara Rambarran and Sheila Whiteley are seeking contributions from the wide spectrum of musicology and social sciences for an edited text on Virtual Bands, Virtual Music that will reflect upon its origins, its characters, its music(s), its scattered identity, its legacy, its worldwide membership and circulation. How can we define aesthetically, culturally, politically, and ideologically the concept and meaning of virtual bands? To what extent is contemporary popular music driven by the digital media (Internet, digital music distribution, consumption), music technology (sampling, remix, MP3), and creative artistic technology (music video, performance, virtual groups)? Continue reading

Journal on the Art of Record Production

Call for submissions
Issue #8: Technology, Time and Place

The newly reworked Journal on the Art of Record Production invites articles for Issue #8: Technology, Time and Place. Technologies are central – and essential – to sound and music recording and production processes. Over time, technological change has impacted on roles, working practice[s] and the recording and production workplace. Indeed, notions of time impact on production processes in a multitude of ways. Continue reading

TACET #2 – Experimentation in question‏

Call for submissions
TACET: Experimental Music Review #2
http://www.tacet.eu/
Experimentation In Question
Issue edited by Matthieu Saladin – IDEAT (Université Paris 1/ CNRS), Le Quai École supérieure d’art de Mulhouse

According to one of the definitions of experimental music formulated by John Cage, the role of experimentation is to ask questions rather than to provide canned answers. This issue of TACET seeks to turn this saying back on experimentation itself, by examining its principles, manifestations and challenges, both historical (provided they question our contemporaneity) and current. Continue reading

IASPM Journal: The Digital Nation: Copyright, Technology and Politics‏

Call for submissions
IASPM Journal
http://www.iaspmjournal.net/

Copyright debates continue to be interesting in the popular music industries for many reasons. Copyright remains a chief mechanism by which the recording and related publishing industries derive income, status and wealth. Yet it is also increasingly an index of measurement of nations’ viability as knowledge economies as much as an index of the tensions between producers and consumers of music. Continue reading