Call for submissions Popular Communication: The International Journal of Media and Culture Special Issue on Race and Ethnicity in Cultural Production Editors: David Hesmondhalgh and Anamik Saha Within media and cultural studies, questions of race and cultural difference in popular culture have tended to be explored through textual analysis, in relation to what Stuart Hall [...]
Entries Tagged as 'Calls for articles'
Race & Ethnicity in Cultural Production
February 18th, 2012 · Comments Off
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33 1/3 Book Series
February 4th, 2012 · Comments Off
Call for proposals 33 1/3 book series Bloomsbury Bloomsbury is thrilled to announce a call for new proposals for the acclaimed 33 1/3 book series, previously published by Continuum (Bloomsbury acquired Continuum in July 2011).
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Virtual Bands, Virtual Music
January 30th, 2012 · Comments Off
Call for chapters Virtual Bands, Virtual Music Deadline for proposals: 31 May 2012 Shara Rambarran and Sheila Whiteley are seeking contributions from the wide spectrum of musicology and social sciences for an edited text on Virtual Bands, Virtual Music that will reflect upon its origins, its characters, its music(s), its scattered identity, its legacy, its [...]
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Per Musi (Brazil) Special Issue on Popular Music
January 8th, 2012 · Comments Off
Call for submissions Per Musi Per Musi, the leading scholarly music periodical in Brazil, welcomes submissions for its special issue on popular music. Deadline is July 30 2012.
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Journal on the Art of Record Production
December 30th, 2011 · Comments Off
Call for submissions Issue #8: Technology, Time and Place The newly reworked Journal on the Art of Record Production invites articles for Issue #8: Technology, Time and Place. Technologies are central – and essential – to sound and music recording and production processes. Over time, technological change has impacted on roles, working practice[s] and the [...]
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TACET #2 – Experimentation in question
December 30th, 2011 · Comments Off
Call for submissions TACET: Experimental Music Review #2 http://www.tacet.eu/ Experimentation In Question Issue edited by Matthieu Saladin – IDEAT (Université Paris 1/ CNRS), Le Quai École supérieure d’art de Mulhouse According to one of the definitions of experimental music formulated by John Cage, the role of experimentation is to ask questions rather than to provide [...]
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IASPM Journal: The Digital Nation: Copyright, Technology and Politics
December 30th, 2011 · Comments Off
Call for submissions IASPM Journal http://www.iaspmjournal.net/ Copyright debates continue to be interesting in the popular music industries for many reasons. Copyright remains a chief mechanism by which the recording and related publishing industries derive income, status and wealth. Yet it is also increasingly an index of measurement of nations’ viability as knowledge economies as much [...]
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New U2 Studies Journal Launched
December 19th, 2011 · Comments Off
Call for submissions Achtung! The U2 Studies Journal www.U2journal.com Achtung! The U2 Studies Journal, a peer-reviewed semi-annual e-journal, announces the launch of its website www.U2journal.com and a call for papers for its May 2012 issue. The journal welcomes submissions from academics, students, lay-scholars and fans.
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Brian Eno edited collection
October 29th, 2011 · Comments Off
Call for contributions On the back of his published diary (A Year with Swollen Appendices, Faber 1996) Brian Eno describes himself variously as: a mammal, a father, an artist, a celebrity, a pragmatist, a computer- user, an interviewee, and a ‘drifting clarifier’. To this list we might add rock star (on the first two Roxy [...]
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The Globalization of Musics in Transit: Musical Migration and Tourism
October 2nd, 2011 · Comments Off
Call for contributions Edited by Simone Krüger (Liverpool John Moores University) and Ruxandra Trandafoiu (Edge Hill University) We are soliciting chapter proposals for an edited collection entitled The Globalization of Musics in Transit: Musical Migration and Tourism to be published by Routledge in 2013 in its Research in Ethnomusicology Series. (Please note that the book [...]
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