Syracuse University Library and the S.I Newhouse School of Public Communications seek applications for a unique and exciting position as director of the Belfer Audio Archive, one of the world’s preeminent repositories for recorded sound.
The Archive operates under the administrative purview of the Library’s Special Collections Research Center, underscoring its role as a repository for rare and unique sound recordings. Continue reading
December 2nd – 4th 2011
San Francisco State University
Call For Papers
21st Century Production: Technology, Performance & the Workspace
The conference panel invites proposals for papers on the following themes:
Performing in the Studio:
Evan Eisenberg described the paradox of recording as being “that [for the performer] the audience is not there…[is] the flip side of the fact that, for the listener, the performer is not there”. How does this affect the relationship between the performer or listener and the music? Continue reading
The preliminary program for the IASPM Benelux conference in Haarlem on April 14 and 15 is now online, click on this link for the schedule and an overview of the parallel sessions.
This program is not yet final and the information in the program is subject to change.
For registration and further information, please visit the IASPM Benelux website.
Paul Théberge & Simon Zagorski-Thomas
Public Lecture & Discussion
Friday 25th March, 4.00p.m. in TC102 at Thames Valley University
St. Mary’s Road, Ealing, London W5 5RF
Paul Théberge and Simon Zagorski-Thomas will discuss the question of realism in recorded music and sound for the moving image. Dr. Paul Théberge of Carleton University, Ottawa is the Canada Research Chair in Technological Mediations of Culture and author of “Any Sound You Can Imagine”. Dr. Simon Zagorski-Thomas of the London College of Music, TVU is Chairman of the Association for the Study of the Art of Record Production. Continue reading
1-3 September 2011
Ripon College Cuddesdon, Oxford
Call for Papers
Christian congregational singing is a vital and vibrant dimension of church communities worldwide. It reflects, informs, and articulates local convictions and concerns as well as global flows of ideas and products. Congregational song can unify communities of faith across geographical and cultural boundaries, while simultaneously serving as a contested practice that communities use to inscribe, challenge, and negotiate identities. Many twenty-first century congregational song repertories, including British and American revival hymns, gospel music, and praise & worship music, are transnational genres that cross boundaries of region, nation, and denomination. The various meanings, uses, and influence of these congregational musics cannot be understood without an exploration of both the musics’ local roots and global routes. Continue reading
Paris, 27-28 octobre 2011
Ecole des Hautes Etudes en Sciences Sociales (EHESS)
Call for papers
This international conference held in Paris will gather together researchers from diverse disciplinary orientations (historical, sociological, anthropological, musicological) working on the tango and its various aspects (music, dance, poetry). This interdisciplinary conference, organized by the Center for Research in Arts and Language (CRAL, EHESS-CNRS) and affiliated with the ANR GLOBALMUS research program, takes place after UNESCO’s official recognition of the tango as international Intangible Cultural Heritage. Continue reading
University College Cork (UCC) seeks an outstanding appointee for the full-time permanent position of Professor of Music to lead research in music, contribute to UCC Music’s national and international profile, and play a critical role in attracting external research funding. The appointee will assume a leadership role in the further development of undergraduate and postgraduate programmes within the discipline.
The staff complement of Music comprises scholars, composers, improvisers, and performers, presenting a symbiosis of music scholarship, composition, and performance to an extent unique in Ireland. The Department embraces multiple disciplines including musicology, ethnomusicology, anthropology of music, critical studies, cultural studies, gender and sexuality studies, film studies, performance studies, composition and music technology. Continue reading
IASPM-US 2009 Conference
University of California, San Diego
May 29-31, 2009
San Diego, CA
The deadline for submission of abstracts has been extended to December 22
Borders, boundaries, and frontiers have intersected and interacted with popular music in differing ways, times, and places, and oftentimes these relationships have been particularly resonant in diasporic communities. Taking an open-ended approach to borders and boundaries as types of thresholds and to frontiers as kinds of liminal zones, this conference seeks to explore their significance in popular music in terms of the aesthetics of genre and style, the politics of personal and social identity, and the dynamics of time and place. Potential issues for discussion include technology, media, industry gatekeepers, changing business practices, gender, migration, ethnicity, nationality, language, and changing definitions of music that involve region and era. The program committee of the 2009 conference of IASPM-US invites proposals for papers, panels, or roundtables relating to these ideas and, of course, welcomes proposals on any aspect of popular music. Continue reading
An Interdisciplinary Conference on Music & Copyright
University of Salford, UK February 18-19, 2009
This conference proposes to investigate the current U.S. and U.K. statutes that regulate the protection of sound recordings. It will inquire to what degree those laws secure the rights of both the owners and creators of the music contained on these products as well as determine their impact upon those who consume and comment upon this material. The pending efforts to universalize an extended term of copyright underscore the potential for even more draconian controls upon recorded music. Will the public, creators, and commentators continue to be able to acquire, appreciate and appropriate musical materials? Can some balance be found between the need for profit and the pursuit of pleasure? Is it possible in a civil society for music effectively to be silenced through constraints over its recorded legacy?
Professor/associate professor/assistant professor in vocal performance in popular music at the Faculty of Fine Arts, University of Agder
Ref nr 108/08
The University of Agder invites applications for a full time permanent position as Professor/Associate Professor/Assistant Professor in Vocal Performance in Popular Music at the Department of Music, Faculty of Fine Arts. The position is currently located at Campus Kristiansand, Norway.
The successful applicant must have higher (master’s) degree in music, and must be able to demonstrate a high level of artistic ability in vocal performance in popular music. Credit will be given to relevant research and development experience. Continue reading