Cinéma&Cie, no. 31 – Special issue edited by Massimo Locatelli, Alessandro Bratus and Miguel Mera
A growing proportion of our cultural heritage is in the form of sound and moving image recordings. If you are concerned with the use, collection, or preservation of sound and audiovisual collections, please consider submitting a proposal and joining us in Accra, Ghana.
Call for Presentations:
49th Annual Conference of IASA, from 1-4 October 2018, at the Institute of African Studies (IAS), University of Ghana, Accra, Ghana.
Access and Accessibility – Archival Policies and Barriers in the Age of Global Information Exchange
CFP: EUPOP 2018
Charles University, Prague, July 24th – 26th, 2018
Deadline: February 27th 2018
Individual paper and panel contributions are welcomed for the seventh annual international conference of the European Popular Culture Association (EPCA), to be held at the Charles University, Prague (Celetná 20), July 24th – 26th, 2018.
An International Conference on Serge Gainsbourg
9–10 April 2018
The 22nd annual symposium for music scholars in Finland will be organized at the University of Helsinki, March 7 to 9, 2018. The theme of the symposium is: “Applied Ethno/Musicology and the Applicability of Music Studies.” Please see the homepage for details: http://blogs.helsinki.fi/mtsymposium2018/in-english/
DISCO! An Interdisciplinary Conference
University of Sussex
21-23 June 2018
Call for Participants: AMS/SMT Alternative-Format Joint Session on Hip-hop Studies
Lecturer/Senior Lecturer in Musicology/Ethnomusicology
University of Manchester, UK
£35,550 to £60,410 per annum according to experience
Closing date for applications: 12 January 2018
Music at the University of Manchester is one of the leading Music departments in the UK, consistently ranked in the top three in the principal league tables. We invite applications for a permanent, full-time lectureship in Musicology/Ethnomusicology, tenable from 1 August 2018. Applications in any area of Musicology/Ethnomusicology are welcome, although preference will be given to applicants with a specialism in Ethnomusicology and/or Popular Music (including global popular musics). You will be expected to make a strong contribution to the subject area’s research strategy, including through the publication of high-quality peer-reviewed research outputs and the potential to attract external research funding; to lead undergraduate and Master’s-level teaching and supervision in your field of specialism (including both broad-ranging course units and those offering more focused and intensive study), alongside contributing to teaching in other related areas; to recruit and supervise PhD students; and to contribute to the management and administration of the subject area under the guidance of the Head of Music and Head of Division.
The full advert, with links to the further particulars and the online application system, may be found here: https://www.jobs.manchester.ac.uk/displayjob.aspx?jobid=14439
Informal enquiries about the vacancy may be made to Professor Caroline Bithell, Head of Music: email@example.com
General enquiries may be addressed to: firstname.lastname@example.org
Call for Papers
Pop – Power – Positions
Global Relations and Popular Music
3. IASPM D-A-CH-Conference
University of Bern, Institute for Musicology
Bern University of the Arts, Research Area Interpretation
Partner: Norient – Network for Local and Global Sounds and Media
Bern (Switzerland), 18–20 October 2018
Call for Papers
Transposition. Musique et sciences sociales
Issue 8 (2019): Music: Intangible Heritage?