cfp: XX Biennial IASPM Conference (Canberra, Australia, 24-28 June, 2019)

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Turns and Revolutions in Popular Music Studies

XX Biennial IASPM Conference
School of Music, The Australian National University
Canberra, Australia, 24–28 June 2019

Call for Presentations

Following the request of the Local Organizing Committee the deadline for abstract submissions to the XX IASPM Biennial conference, to be held in Canberra, Australia, 24–28 June 2019, has been extended for a fortnight, that is until 15th August. You can find the CfP including the new deadline below. Please notice that letters of acceptance will be sent by 15th October 2018 instead of 30th September.

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6th Global Reggae Conference – Reggae Innovation and Sound System Culture II

6th Global Reggae Conference – Reggae Innovation and Sound System Culture II
February 13-16, 2019, UNIVERSITY OF THE WEST INDIES, MONA CAMPUS

The University of the West Indies and Birmingham City University are delighted to announce the staging of the 6th Global Reggae Conference under the theme Reggae Innovation and Sound System Culture II. Hosted as a premier biennial event by the Institute of Caribbean Studies and the Reggae Studies Unit inside Jamaica’s Reggae Month, this conference will engage academics within a wide field of scholastic orientations and practice. This event comes as part of larger project on music and cultural innovation and black popular culture through which both Universities have engaged in a partnership to expand scholarship and outreach through community engagement, experimentation, archive building, exhibitions, among others.

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Balancing The Mix: A Conference on Popular Music and Social Justice

Balancing The Mix: A Conference on Popular Music and Social Justice
University of Memphis, 30 March 2019

The history of post-war popular music has been closely associated with concerns for social justice. It is not only that particular ideals (equality, community, rights, an end to oppression and discrimination) have animated the public sphere; it is also that those ideals have – whether we look at blues, gospel, world music, punk or hip-hop, for instance – been central in many music genres. This is no surprize, insofar as post-war popular music has developed in parallel with the rise of humanism, the postcolonial era, civil rights, the culture wars, and the rise of identity politics. In that sense, and more, music has been political, and further politicized: employed as an opportunity to establish empathy, express solidarity, and mobilize agents of change. Issues of social justice have in turn influenced public decisions about, for example, music funding, heritage and archiving. For this conference, we invite papers (or panels) based on topics related to popular music and social justice in the widest sense. These may include:

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EC announcement about travel grants to Canberra 2019

In preparation for the XX Biennial IASPM Conference, which will take place in Canberra, Australia, 24-28 June 2019, and in view of the high cost of flights from practically all continents to Australia, the Executive Committee would like to make the following announcements:

1. Unless we must face unforeseeable expenses next year, the Executive Committee considers that IASPM is in a position to invest a substantial amount of money in travel grants, probably not less than 25,000 USD, so that a significant number of low income members are able to attend the Canberra conference.

2. Since the criteria applied for travel grants to attend the Kassel conference were discussed during the General Assembly, but not amended, we intend to maintain them. Therefore, the criteria for eligibility will be: 1) membership up to date 2) at least one year of seniority (in this case, being a member at least since 2018) 3) proof of insufficient funding. The scoring will depend on: 1) geographical distance (we will decide a scale in due time), 2) IASPM responsibilities at branch or international level, and 3) attendance of local and international IASPM events. Having been awarded a travel grant in previous years will detract points.

3. If grantees purchase their flights before a certain date, which will be announced in due time, they will be able to receive up to the 50% of their grants before the conference. The rest of the grant would be paid during the conference, as usual. This will be accorded upon request only, and it will be available for unwaged members only.

4. We intend to open the application period for travel grants shortly after the Academic Committee has reviewed all the abstracts and letters of acceptance have been sent out. The results of the application process will be announced as early as possible, so that grantees can book their flights at better prices.

5. Finally, we would like to thank all branches that have updated their membership lists and paid their fees promptly, and urge the rest to do it as soon as possible, or contact the Membership Secretary or the Treasurer (iaspminternational@gmail.com) if they are not able to do so. As you can imagine, prompt payment will be especially welcome next year.

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Balancing The Mix: A Conference on Popular Music and Social Justice

Call for Papers:

Balancing The Mix: A Conference on Popular Music and Social Justice
University of Memphis, 30 March 2019

The history of post-war popular music has been closely associated with concerns for social justice. It is not only that particular ideals (equality, community, rights, an end to oppression and discrimination) have animated the public sphere; it is also that those ideals have – whether we look at blues, gospel, world music, punk or hip-hop, for instance – been central in many music genres. This is no surprize, insofar as post-war popular music has developed in parallel with the rise of humanism, the postcolonial era, civil rights, the culture wars, and the rise of identity politics. In that sense, and more, music has been political, and further politicized: employed as an opportunity to establish empathy, express solidarity, and mobilize agents of change. Issues of social justice have in turn influenced public decisions about, for example, music funding, heritage and archiving. For this conference, we invite papers (or panels) based on topics related to popular music and social justice in the widest sense.

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IASPM-US 2019 call for papers

The International Association for the Study of Popular Music-United States chapter invites proposals for its 2019 conference. The meeting, which will take place in New Orleans, Louisiana, March 7-10, 2019, will feature the theme “Musical Cities: Music, Historiography, and Myth.” We welcome proposals for individual papers and panels (up to four individuals) on any aspect of popular music, especially proposals on the musical cultures of New Orleans; music in and of the global and local South; and music and race and resistance.

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CFP IASPM Journal Special Issue: Pop Music Festivals and (Cultural) Policies

Call for papers: Special Issue: Pop music festivals and (cultural) policies
Guest editors: Beate Flath, Martin Cloonan and Adam Behr
Deadline for submitting abstracts: 31 August 2018
Deadline for submitting full papers: 14 January 2019

The full CFP can also be found on our website:
http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/905/pdf_1

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CFP: Music and Social Movements symposium

CFP: Music and Social Movements symposium, Northumbria University, November 30, 2018

This symposium, funded by the US Embassy and Northumbria University, will bring together academic historians, graduate students, and secondary school teachers to examine the role that music played in oppositional social movements that were active in the post-World War II period in the United States. This includes (but is not limited to) religious movements, the gay rights movement, labor organizations, and the African-American and Latino activist communities.

The event aims to share scholarship and pedagogy with the wider teaching and learning community and hopes to foster lasting connections between its participants. In particular, the symposium hopes to promote the work of graduate students and early career academics. It will facilitate this through bursaries to cover travel and accommodation. The day will include a series of academic papers and a ‘Teaching History with Music’ roundtable. Please send 250-word abstracts to Joe Street (joe.street@northumbria.ac.uk) before September 28, 2018 and please indicate whether you seek a travel bursary. Please note that postgraduate students will be prioritized for receipt of these funds. Registration for the symposium is free – and will include lunch and refreshments – but numbers are limited so please move quickly to reserve your place at https://store.northumbria.ac.uk/conferences-and-events/arts-design-social-sciences/conferences/music-and-social-movements-symposium-at-northumbria-university-2018

Call for chapters: Living Metal

Call for Chapter Proposals: Living Metal: Metal Scenes around the World”

Metal music has been around since Black Sabbath hit the first chord on its song “Black Sabbath.” Since that time Metal scenes are constantly being created, developed, stagnating, and growing all over the world—anywhere where Metal is played and cared about. Today, that means in just about every country on earth. This book, Living Metal: Metal Scenes around the World, is being published by Intellect Press. We are looking for researchers who will be examining Metal scenes in various parts of the world. We want to look at out of the way places and cultures just as much as well known places around the world. We currently have chapters being written about Johannesburg, South Africa; Dayton, Ohio; Hull, UK, and Helsinki, Finland. If possible, we want to learn about Metal Scenes in 6 of the 7 continents (we don’t believe that there is a scene in Antarctica, but please prove us wrong!).

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